Travels by train …… Manchester Piccadilly … Manchester Victoria

It was exactly a week ago that the "train took the strain”, or to be more accurate I met our Saul on one railway station and took the train from another to meet up with our Ben in Walkden.

Waiting for the off, platform 11, Manchester Piccadilly, 2026

And that pretty much is that. 

A brace of trains, Manchester Piccadilly, 2026

Ticket Gates, Manchester Piccadilly, 2026

Only to say Manchester Piccadilly is a station I often use, while Manchester Victoria is usually just for the trams.

Moody Manchester Victoria, 2026

But on the Wednesday, we took the train to Walkden from Manchester Victoria and used a platform I last stood on over half a century ago.

Back then it was one of the platforms to catch trains to Newcastle.

Location; Manchester railway stations

Pictures; Manchester Piccadilly and Manchester Victoria, 2026, from the collection of Andrew Simpson

Down on Manchester Road with our poshest cinema

Now you know you were being treated when the cinema was the Savoy, or as it later became known the Gaumont on Manchester Road.

The Picture House, 1920, later the Savoy and Gaumont

I had always thought this was the case, after it was larger and more impressive looking that its two rivals which were the Pavilion on Wilbraham Road and the Palais De Luxe on Barlow Moor Road.

And by 1928 it’s only challenger in Chorlton was the Palais which was smaller and older.

All I wanted was confirmation of the Gaumont’s premier position, and it came today from the Kinematograph Yearbook for 1928.

The Savoy, 1928

I now have four in the collection, starting with the one for 1914, and running through to 1928, 1929 and 1947.

There will be more, but for now I have just the four, and it is the 1928 book which dishes up the evidence that it felt confident in charging 8d to 1s. 6d, for admission while the Palais came in at 6d to 1s. 3d.

The Palais De Luxe, 1928

So, on the nights you might want to impress someone special, that “specialness” was reflected in what you were prepared to pay.

Of course, the choice of film might still have something to do with it, but I reckon that that all important first date or anniversary would tip the balance in favour of the Savoy.

The Palais De Lux, 1925

Later in the 1930s, came the last of our cinemas, up by the park, and it outlasted the Savoy by a few decades.

All of which makes it an exciting idea that there are those who want to buy up the former cinema and transform it into a community hub.

Now that would be fun.

Location; Chorlton,

Pictures; the Picture House, 1920, later renamed the Savoy and later still the Gaumont, from the Lloyd Collection, listing details from the 1928, Kinematograph Yearbook, and the Palais De Luxe cinema, circa 1928, Charles Ireland, GD10-07-04-6-13-01 Courtesy of East Dunbartonshire Archives

Ballast Quay and a word of advice

Now just 40 years ago I wandered down Ballast Quay, on the off chance I would bump into someone I knew from the days I worked at Glenvilles, or one of my old drinking companions from the Cutty Sark.

Of course I never did and the failure made me a bit sad.

More so, because we had some good times sitting outside the pub on that low brick wall watching as the night drew on, interrupted only by the sound of the barges banging together from the swell left by a passing pleasure cruiser.

But a swift pint and I felt less sad.

Today I barely recognise the place.

True, the Harbour Master's House and a row of houses are still there along with the Cutty Sark but the big industrial warehouse on the corner of Pelton Road has gone as has the yard almost opposite the pub.

Perhaps a lesson in it being wise never to go back. 

And to get your facts right. I always thought that the Harbour Master's House was the Customs House until Garry Luttman put me straight leaving me quite rightly to correct the mistake.

So thanks Garry.

Location; Greenwich

Picture; Ballast Quay, 1979 from the collection of Andrew Simpson

“Don’t put your daughter on the stage” …… seven years of the Chorlton Repertory Club ... part 1

In memory of Ida Bradshaw who died on New Year's Eve and whose funeral service took place today in St Clements, here is the first of three stories she inspired.

Ida, 1941-2026

The Chorlton Repertory Theatre Club is one of those half-remembered stories. 

Enjoying the theatre programme for January 15th-20th, 1951

It was where some of our well-known actors and comedians first strutted the boards including Avis Bunnage, Joan Sims, Harry Corbett and Ronnie Barker and over the years was at home in both the Lloyds Hotel and the former Conservative Cub

Cast of All The Year Round, April 7th, 1951

And here I am indebted to Ida Bradshaw who first told me of its existence, offered up a short history of the club and preserved fifteen theatre programmes from 1951-52.

She told me the “club was established in 1946and although it had no theatre of its own, offered up a weekly repertory performed by a professional company.  Initially it used a large room connected to the Lloyd’s Hotel and then moved to Chorlton Conservative Club.

It was the brainchild of two actors.  James Lovell and Arthur Spreckley.  The club played to full houses in Chorlton.  However, problems pre-empted by the sacking of Lovell began to mount and by 1951 the club was making a loss.  Membership was dissolved and blame was laid at the door of television and bad weather.  But Alan Bendle observed that ‘of the 1952 performances, perhaps only six of the 52 were successful’

A professional producer was employed in 1953 who immediately gave the company notice.

In 1954 the Chorlton Theatre Club became home to Piccola Theatre Company, which brought to Manchester  a group of young actors, designers and directors, many of whom were to leave their mark on the world of theatre.

For two seasons productions included The Women Have their way [ Frank Dunlop] and Maria Marten in the Red Barn [Richard Negri] provided an early opportunity to assess the talents of individuals who were to become more familiar to Manchester audiences”.

Drama off stage, February, 1949

And there is much more.  

The Manchester Guardian carries 131 references to both theatre companies, and it makes for fascinating reading because amongst the reviews of performances, there is the starling announcement that the club committee had “terminated the contract of the manager producer …. Mr. James Lovell”.

And if that wasn’t enough of a dramatic turn worthy of its own drama productions, just a month later  “the management committee …. was yesterday voted out of office at a special general meeting it had called to secure a vote of confidence” to rebut a call by 283 members of mount an investigation of the said committee..**

A thank you, October 29th, 1951

Now I have to say it all sounds very exciting with “some seven hundred people attending the meeting at the Princess Ballroom, Chorlton-cum-Hardy”, the revelation of huge financial losses and the possibility that the “spring programme ‘would lead to insolvency in four to six weeks’”

All of which was compounded by accusations that committee was pursuing a vindicative policy.

And with tensions mounting the Committee declared “that there was another booking of the hall and the members had to clear the furniture before leaving” , a challenge met by shouts of no confidence in the committee, a demand for a vote to replace it with a new one.

All of which I didn’t know when I began leafing through the 14 programmes, looking for references to local companies who provided props, smiling at the problems of fuel shortages and impressed by the planned  theatre improvements.

Introducing a viper, July 16, 1951

And along with various Christmas socials and fund raising activities there was the raffle for a “Beautiful Television, which may just have been a viper introduced by the club with its promise of varied entertainment in front of the fire with no recourse to a trip out on wet cold night.

A play a week, October 29th, 1951

There is so much more, but sadly I fear the Club has all but moved  out of living memory.

But if the grownups are now in short supply there may be a few of their children who went along to performances of “Christmas in the Market Place” which promised to be “A most delightful and happy Yuletide play for young and old” which were to run from Boxing Day 1952 through to January 3rd 1953.

So there is much still to do.  

Starting with the stalwart cast listed in each of the programmes, looking through all 131 references in the Manchester Guardian along with more from other Manchester papers, and finally tracking down a scrap book and perhaps the records of the club.

And as a start I know that Jean Parry the star of  All The Year Round in 1951 came from Salford was born in 1925 and died in 2005, and I have three pictures of her cast member Jean Ryder from 19159.

It's a start.

Theatre Comfort, October 29th, 1951

Location Chorlton

Pictures; selection of theatre programmes of the Chorlton Repertory Club, 1952- 1953, from the Ida Bradshaw Archive and extracts from the Manchester Guardian, courtesy of Manchester Libraries, Information and Archives, Manchester City Council, http://images.manchester.gov.uk/index.php?session=pass

*Chorlton Repertory Dispute, Manchester Guardian, February 8th, 1949

**New Repertory Committee A Chorlton Vote, Manchester Guardian March 1949

"I had forgotten how black the town hall was" .......... pictures from Linda

The thing about old picture postcards is that there is usually a story which goes with them.

Albert Square, circa 1960s

Often that story is the message on the back, or the recipient which if you are lucky will lead to more stories.

Most of the ones in the collection have been picked up over the years with no extra information about the person who chose it in preference to another, or anything about them.

So it is a rare treat to be handed two picture postcards, by someone I know and who offered up a bit of back story.

These two are instantly recognizable, and will bring back plenty of memories, with some looking closely at the detail to compare with the same scene today.

Usually I would throw in my own observations, but where would the fun be in that?  Far better that I leave that to you.

Piccadilly Gardens, circa 1960s

Instead I shall close with Linda’s own comments on the postcards.

“As I couldn’t make my monthly trip to Holmfirth yesterday I sorted out some paperwork and came across these two postcards.

The one of Albert square is a Bamforth card with a deckle edge.

Their building near the bus station was sadly derelict for years but has recently been converted into flats and looks so much better.

I had forgotten how black the town hall was. Used to park in the square twice a year when I took my children into town to buy their shoes”.

Location; Manchester

Pictures, Albert Square, and Piccadilly Gardens, circa 1960s/1970s, from the collection of Linda Rigby

Cleaning the Town Hall …….. 1967

Now for anyone who doesn’t remember the Town Hall when it still had nearly a century of Manchester soot and grime, here is the picture.

It was taken in 1967, just three years after the City Council had estimated the cleanup would cost £25,000.

And what I like about the image is the contrast between the dark stone, and the two sections which have been cleaned.

As dramatic as the clock tower looks, I rather think it is the section on Lloyd Street which offers up just what the cleaning had achieved., highlighting the detail in the stonework and lifting the section to the eye.

Why they began with Lloyd Street will be on record somewhere, but I suspect it was the trial, which if it went wrong was down a side street.

Nor is that all that the picture has to offer.

Albert Square was still an island surrounded by traffic, with provision for parking opposite the Town Hall, and the underground Victorian lavatories, with their period features and sturdy iron railings.

And for the particularly observant, there almost in the centre of the square, is the statue of Oliver Heywood, who had already been washed in advance of his neighbour, William Gladstone.

Not sure why he got preferential treatment, but someone will know, and a lot more people will pile in with speculation.

And they will no doubt have theories about just what happened to the lavatories.

Were they stripped of their features, just back filled, or just covered over?

Location; Albert Square

Picture; Town Hall clean up, Albert Square, 1967, Courtesy of Manchester Archives+ Town Hall Photographers' Collection, https://www.flickr.com/photos/manchesterarchiveplus/albums/72157684413651581?fbclid=IwAR35NR9v6lzJfkiSsHgHdQyL2CCuQUHuCuVr8xnd403q534MNgY5g1nAZfY

On the Trafalgar Road in 1968 …….. Austen’s ….. that record shop and a slew of ancient memories

This is Trafalgar Road in the spring of 1968.

It was taken by John King, and I am grateful that he has given me permission to use it, because it has set the memories going.

Two years earlier I knew this stretch well because I worked at Austen’s camping shop, which was a job at which  I didn’t crown myself with glory.

But then I was only 16, had big issues with adding up, dispensing the correct change and could never remember which tent was best for a back packing couple.

Even now the smell of canvas, and assorted plastic macs brings back the shop and the summer of 1966 on Trafalgar Road.

The shop has gone, and I think judging by the geography of this bit of the road, it is now an Iceland, but then the building that was the cinema no longer shows films and the old record shop just on from the church offers up all things plumbing instead of all things vinyl.

Not that I suspected any of these haunts of my youth would still exist.

It is after all 60 years since I spent my dinner hours in that record shop, but I still remember the collection of early Bob Dylan LPs I bought there, which are still in the collection.

And when I bring them out flashes of the Woolwich and Trafalgar Roads jump back.

All of which will bore some readers, provoke others to bring out their own memories, and yet more to take a wander down the two roads to do their own "then and now" comparisons.

I cant remember when the hospital was opened, but vaguely think it was being built in that summer I sold camping knives, and in turn bought the record Bob Dylan.

Incidentally that LP had been issued four years earlier, cost me £2.99 and retails now on some sites for £50.

So, all in all nostalgia was a lot cheaper then than now.

Leaving me just to add John’s comment to his picture, “People complain about traffic, but just remember if you are stuck in traffic you are part of the problem.

Ah the golden days of the 60s when traffic jams had not been invented. Think again, Woolwich Road, Greenwich seen in 1968. 

Something had happened in the Blackwall Tunnel, although the second tunnel opened a year earlier the approach road had not been completed.

The vehicles of a couple of old SE London firms can be seen. RACS and soft drinks firm Macintosh.

May 1968”.

To which I will add that L.P. Hartley quote  “The past is a foreign country: they do things differently there,” from his 1953 novel “The Go-Between.”

And as John’s picture shows we did transport, and lorries very differently.

As we did cinemas, and here is the postscript, just a few hours after the original story was published.  Both John and I spent a bit of the morning pondering on that cinema.

I thought it was an ABC but john correctly identified it from an old map as the Granada, which led me to that wonderful site for cinema history which is cinema Treasures, and the entry for the Granada Greenwich at 234 Trafalgar Road.

"It was was opened by film star Gracie Fields on 30th September 1937 with Sabu in 'Elephant Boy' and Brian Donlevy in “Midnight Taxi”. Designed by noted American theatre architect C. Howard Crane, with interior decoration by Theodore Komisarjevsky. 

It had 1,924 seats in stalls and balcony and a rather plain auditorium, quite unlike the style of the opulent Woolwich / Tooting / Clapham Junction Granada Theatre’s. 

It was equipped with a Wurlitzer 3Manual/8Ranks organ which was opened by organist Donald Thorne. The Granada Theatre also had a fully equipped stage".

That said according to the 1947 Kinematic Yearbook it had by that year increased its number of seats to 2,772 seats.

But if you want more you will have to go to the site and find out for yourself, because I make it a policy of not lifting other people's research.

The added bonus is a picture of the cinema, pretty much as I remember it.

Location; Greenwich

Picture; Trafalgar Road, 1968, from the collection of John King

*cinema Treasures http://cinematreasures.org/theaters/3781