Another side to the remarkable Mr Banks, celebrated photographer and now artist

Trade card, 1885

Now somewhere I know I will find at least one of the three “life size busts , painted in oil on canvas, from photographs” of “Messrs, John Slagg, Jacob Bright and Robert Leake.”*

And in the fullness of time I will also unearth a picture of Cheetham Reform Club which was on the corner of Bignor Street and Heywood Street.

It was opened in 1882, and I suppose it was fitting that these three paintings should have been commissioned by the Club because back in 1880  John Slagg and Jacob Bright had laid the foundation stone for the building and with their fellow MP Robert Leake had spoken of the importance of the new club to Cheetham.

Along with a large local crowd there was a "special party" who had made their way from that other Reform Club in the centre of Manchester and had arrived in a hired coach.

Looking at maps of the period it was an impressive pile with a large bowling green set in open spaces on the edge of some densely packed housing.

From the Manchester Guardian, 1882

But the Reform Club was not what drew me into the story that was our old friend the photographer Robert Banks, who rose from fairly humble beginnings to be a well known Manchester photographer.

Many of his public photographs of the city and including lots of public events are still available as are the personal photographic images of people who attended his studios, but until now I had no idea that he also painted.

Selling Valentin Cards 1872

I suppose I shouldn’t have been too surprised given that he was at one time employed by the Oldham Chronicle as an “illustrated artist” and later when he opened his own studio at Uppermill in 1867 he advertised Valentine Cards.

But there is the first reference to something as grand as full scale paintings.

A royal event, 1911

All of which points up that simple observation that there is always more to find out about things and as I finish writing this I have in front of me a photograph by Mr Banks which I haven’t seen before.

It is of the visit of Edward VII and Alexandra for the official opening of the new Manchester Royal Infirmary on Oxford Road in 1909.

Now this is quite surprising given that he was very effective at publishing his own work much of which appeared in souvenir collections soon after the great event had occurred.

And in this I have been lucky in that my friend Sally came across one of these books, “much knocked about, missing its cover and spine but full of wonderful images of Manchester.”

So there you have it, another story on Mr Banks with a side of the man I knew nothing of and the hope that his paintings will emerge from the shadows.

Pictures; trade card advertising Robert Bank’s studios circa 1885 and advert from the Oldham Chroncile, 1872, courtesy of Saddleworth Museum, http://www.saddleworthmuseum.co.uk/, newspaper report from the Manchester Guardian and  the Royal visit, 1909, Robert Banks, m72040, courtesy of Manchester Libraries, Information and Archives, Manchester City Council, http://images.manchester.gov.uk/index.php?session=pass

*Cheetham Reform Club, Manchester Guardian, September 20 1882

The remarkable Mr Banks from factory worker to photographer by Royal Appointment

Oldham Street looking towards New Cross

There is something magic about this picture of Oldham Street which dates from around 1900.

And I am not alone in thinking this.  My friend Sally commented that “the image draws you in” and certainly you feel right at the heart of the city on a busy working day.

We are actually just past Hilton Street looking up towards Great Ancoats Street and New Cross.

Off to our right at numbers 56-58 was Abel Heywood & Sons, the booksellers who had in their time published some of the most important books on Manchester.

Beside them at number 60 was Marks and Spencer Ltd and beyond were the businesses of White the manufacturing jewellers whose sign dominated the skyline and the equally impressive sign of Crosby Walker Ltd whose draper’s shop stretched across numbers 82-86 Oldham Street.

In between were a branch of Maypoles’ the grocery chain, a Yates’ Wine lodge, and assorted photographer’s tailors, coffee merchants and confectioners.

My own favourite, at number 62, is the premise of Miss Isabella, servants registry office which is a reminder that this is still the age when even relatively humble homes aspired to at least one servant.

What is all the more  remarkable is the number of photographers who were offering their services in this small stretch running from Hilton Street up to Warwick Street but then photography had come of age and one of its best exponent was none other than Robert Banks who took this picture.

He had been commissioned by the Corporation as early as 1878 to photograph a series of pictures of the newly opened Town Hall and went on to compile sets of albums including the opening of the Ship Canal, the unveiling of Queen Victoria’s statue, and King Edward’s visit in 1909.

Many of these appear in an old and battered book which Sally picked up recently.

The cover and binding had long ago been lost but the pictures were intact and they are a wonderful record of our city just a century and a bit ago.

Here are celebrated some of the great achievements of the Victorian period, from the towering textile warehouses, to the impressive public buildings and in between street scenes of everyday life.

But few now know much about Mr Banks.  Back in 2011 a collection of his images was published by the History Press along with a short biography but the book sadly is now out of print.*

All of which is a shame because his was an interesting life and reflects that classic view of the self made Victorian.

He was born in 1847, his father was a journeyman carpenter, and at fifteen he was employed as a woollen piercer in Upper Mill.  At the age of twenty he was an illustrated artist working for the Oldham Chronicle and in 1867 had set up as a photographer in the High Street at Uppermill.

Reception Room, Town Hall

Now that move of course glosses over a lot because the step from illustrator to photographic studio I doubt could have been easy but at present I have no idea at the capital needed to begin such a venture or how he might have financed it.

Suffice to say that by 1873 he had moved to Manchester, set up home at 73 Alexandra Road in Moss Side and was renting a studio at 73 Market Street.

Over the next thirty years the business moved from Market Street to New Cross, and on to Franklin Street and Victoria Street and in 1903 was at 126 Market Street.

Likewise the family home was variously on Alexandra Street, and later Mytton Street, but the buildings have long since been cleared.

That said it may be possible to locale the studio in Uppermill and there remains the census records from 1861 onwards and the Rate Books along with possible references in the Manchester Guardian.

I rather think I will also contact his biographer just because Mr Banks is an interesting chap who began in a factory and  along the way was given  the title By Royal Appointment.

Pictures; courtesy of Sally Dervan

Contributory research from James Stanhope-Brown

*Manchester From the Robert Banks Collection, James Stanhope-Brown, 2011, the History Press

At St Chad's in Saddleworth with the remarkable Mr Banks sometime in 1880

Now I am back with Mr Banks that remarkable photographer. 

Selling a photograph circa 1880

He was one of those self made Victorians who rose from humble beginnings to become a celebrated photographer capping his career with that seal of official approval which comes from the title “By Royal Appointment.”

He has caught my interest ever since my friend Sally began posting his photographs of Manchester in the late 19th and early 20th centuries.

From 1873 and into the next century he recorded the great events of the city, along with the everyday life on the streets and portraits of the good and worthy of Manchester.

But here is one of those pictures he took of Saddleworth where he had his first studio.

The studio dated from 1867 and this picture of St Chad’s from around 1880.

St Chad's today

Now I don’t often do a then and now but I couldn’t resist in this case.

So here is his picture which appeared on photographs he sold  and the church as it is now courtesy of Saddleworth Churches.*

And because the pictures deserve a bit more here is the story of the church.

"There has been a place of Christian worship on the Parish Church site since 1215 AD, when the first Saddleworth Church was established as a chapel of ease as part of the Rochdale Parish, but in time became the possession of Whalley Abbey. 

St Chad's in the 1880s

Under the suppression of the churches by Henry VIII, the Abbey had to submit Quick Chapel€™, as it was then called, to the jurisdiction of Rochdale and more recently in 1866, patronage was transferred to the Bishop of Manchester.

The current grade 2* listed re-build, which stands in it’s own conservation area, is late Georgian. 

The interior, which includes the original gallery, has a pleasant warmth to it emanating a surprising light and colour. 

The stained glass tells the tale of the wildness of the weather in this area and the church does possess a fine Capronier depiction of the Visit of the Magi.

How to find us: Saddleworth St Chad Church, Church Road, Uppermill, Oldham OL3 6LW"

So there you have it a little bit more on Mr Banks and the story of the church he snapped.

 Pictures; St Chad’s circa 1880s, Robert Banks, courtesy of Saddleworth Museum, http://www.saddleworthmuseum.co.uk/ and St Chad’s today courtesy of Saddleworth Churches, http://saddleworthteam-cofe.org.uk/contact/

*Saddleworth Churches, http://saddleworthteam-cofe.org.uk/contact/

Out with the photographer Robert Banks on the streets of Manchester sometime before 1912

Now I can be fairly confident that Mr Banks took this picture of Oxford Street sometime before 1912, but more about that later.

In the meantime I shall start with the man himself who had one of those remarkable careers which seemed to epitomise the self made Victorian man.*

He stands alongside some of our other Manchester photographers.**

He was born in 1847, he father was a journeyman carpenter and at the age of 15 he was working as a woollen piecer in a mill.*

And yet within a few years he had become an illustrator on the Oldham Chronicle and at 21 had opened a photographic business on the High Street in Uppermill all of which was but a prelude to a successful career in Manchester.

Having set up business in the city in 1873, he quickly won a series of commissions and as they say never looked back.

During the rest of the century and into the next he photographed many of the most important events that occurred in the city and was quick to issue these in collections for sale.

And never one to miss an opportunity I am told that having taken pictures of the unveiling of the statue of Queen Victoria he made a special journey to Windsor Castle and presented them to the Royal Family.***

But he will also be remembered for a wonderful collection of street scenes like this one of “Oxford Street from Whitworth Street. [Showing] on the left St Mary’s Hospital and Total’s Warehouse, and on the right the Theatre of Varieties and St James’s Hall, with St Peter’s Church in the distance.”

It is a scene few now remember.

St Peter’s Church and the hospital were demolished a long time ago and the elaborate facade of what is now the Palace Theatre disappeared behind those drab tiles in 1957.

And what no one will now  recognise is the building beyond the theatre with its tall clock tower, for this was St James’s Hall, built in 1884, closed in 1907 and briefly reopened as a cinema in 1908 and was replaced in 1912 by St James’s Buildings which still stand on the site today.

Something of what the hall was like can be seen from the Gould’s Fire Insurance Map which dates from around 1900.

But that is enough for now.  My friend Sally has kindly given me more of Mr Bank’s pictures from a collection she bought and I now have a promise of some of his earlier photographs taken in Saddleworth which the Museum there has promised to pass over.

So it rather looks as if there will be lots more of Robert Banks to come.

And as often happens, someone has helped with the story.  Lee Hutchins has written that "St Peters Church in the distance was taken down in January 1907 and St Mary's Hospital to the left was completed in 1901 so taken between 1901 and 1906"


Pictures;, Oxford Street before 1912, courtesy of Sally Dervan and detail of St James’s Hall from Gould’s Fire Insurance Map, courtesy of Digital Archives Association, http://www.digitalarchives.co.uk/

*Robert Banks, http://chorltonhistory.blogspot.co.uk/search/label/Robert%20Banks

**Manchester artist and photographers, http://chorltonhistory.blogspot.co.uk/search/label/Manchester%20artist%20and%20photographers

***from a conversation with James Stanhope-Brown who also told me that sadly there is no reference in the Royal collection to the event.  He has also published Manchester From the Robert Banks Collection, in 2011, the History Press

Another side of the remarkable and popular Manchester photographer Robert Banks

Uppermill circa 1890

Robert Banks was one of those remarkable Victorian self made men, who went from being a woollen piercer in a mill in Uppermill to a celebrated and sought after Manchester photographer who eventually gained the title by Royal Appointment.

Now I have written about him on a number of occasions, but knew nothing of the man or his achievements until my friend Sally began sharing his pictures.

And it would appear few other people knew much about him either and sadly the one book published on his work is now out of print.**

So not deterred by such minor obstacles I went looking for him and as you would one of my first ports of call was Uppermill and the Museum at Saddleworth.

And Mr Peter Fox the curator was able to supply both more of the story and some wonderful earlier images including this delightful advert dating from March 30 1867

Reverse of a photograph, circa 1890s

“ADVERT : R. BANKS, PHOTOGRAPHIC STUDIO, UPPERMILL
R. Banks respectfully informs the Public that he has now opened a Photographic Studio at Uppermill, Saddleworth - Open daily from 9 till dusk.****

I wondered at how Robert Banks had managed to set himself up given his earlier occupation but it appears he had joined a photographic club drew on their advice and I guess either borrowed or saved for his first camera.

So I shall leave you with this early Banks photograph from  Uppermill, and promise you more.

Picture; courtesy of Saddleworth Museum, http://www.saddleworthmuseum.co.uk/





*Robert Banks, http://chorltonhistory.blogspot.co.uk/search/label/Robert%20Banks

**Manchester From the Robert Banks Collection, James Stanhope-Brown, 2011, the History Press

***Saddleworth Museum,

****Oldham Chronicle

That amazing Mr Banks ....... his pictures and other practitioners of his trade

Now I remain fascinated by what can turn up in an old cupboard, under the floor boards or in this case the family picture album.

And for what follows I have my old friend Oliver Bailey to thank, who having read the story on the photographer, Robert Banks, sent up a selection of the trade cards which accompanied some of the family pictures.

Oliver told me that "glancing through your blog on I saw the name Banks, which rang a bell as he was one of many that took photos of different branches of the family and I attach copies of mountings he used plus a list of all the practitioners of the art that the family used".

All of which was a find indeed.

Mr Banks was born in 1847, his father was a journeyman carpenter, and at fifteen he was employed as a woollen piercer in Upper Mill.  At the age of twenty he was an illustrated artist working for the Oldham Chronicle and in 1867 had set up as a photographer in the High Street at Uppermill.

From there he set up in Manchester, was employed to take family photographs, and went out on to the streets of the city to record what he saw.

He was commissioned by the Corporation in 1878 to photograph a series of pictures of the newly opened Town Hall and went on to compile sets of albums including the opening of the Ship Canal, the unveiling of Queen Victoria’s statue, and King Edward’s visit in 1909.

The mountings on the back of Oliver’s family photographs record the growing success of Mr Banks who by degree began opening studios across the city and beyond including Blackpool.

Along with these cards, Oliver provided a list of 35 other photographers, many of whom were working outside Manchester and include places ranging from Todmorden, Southport, Rochdale, Pendleton, Halifax and Burnley.

At which point I will have to go back to Oliver and enquire as to how so many far flung photographers were snapping the family.  I suppose the explanation for some like Southport, Hollingworth Lakes, and Douglas in the Isle of Man will be holiday opportunities, But Sierra Leone will throw up a story.

The list is a treasure trove, because it offers the chance to pursue the careers of each of these picture takers.
I know the Manchester ones will be there in the local directories which I have but the ‘out of town’ ones are all new to me and over time I will pursue them.

Just leaving me to thank Oliver, whose family farmed in Chorlton from the 1760s.

Location; everywhere






Pictures, trade cards from Robert Banks, late 19th, early 20th centuries, from the collection of Oliver Bailey

Of grand pictures, the 1893 Cup Final and the jubilee of the 1832 Moorcock murders....... more from the camera of Mr Banks

Inside the Ryalands, circa 1900

Now Mr Banks can never be said to have missed an opportunity.

He was one of those self made Victorians who rose from humble beginnings to become a celebrated photographer capping his career with that seal of official approval which comes from the title “By Royal Appointment.”

He has caught my interest ever since my friend Sally began posting his photographs of Manchester in the late 19th and early 20th centuries.

From 1873 and into the next century he recorded the great events of the city, along with the everyday life on the streets and portraits of the good and worthy of Manchester.

And ever mindful that all this was a job he was quick to turn his pictures into books.

Added to this he had a range of studios across the city and beyond including his first in Uppermill and one in Blackpool.

Much of his work like those of the newly opened Town Hall and later the Ship Canal captured that mix of civic pride and entrepreneurial drive which was the age.

Watching the 1893 Cup Final

But he was in touch with what people wanted and in the collections there are plenty of pictures of well known Manchester Streets and popular events, like this one at the Manchester Athletic Ground in Fallowfield.

“The Stadium opened in 1892 and I believe this photo is taken at the cup final match between Wolves and Everton in 1893 which according to one report had an attendance of 45,000 which was quite something given that he stadium had a capacity of 15,000. Fallowfield stadium was demolished in 1994 and is now Richmond Park Halls of Residence.”*

Mrs Simpson, circa 1882

Not that these were all.  In the early years he advertised a range of Valentine cards and continued to do the real commercial business of the individual and group portrait.

And by one of those wonderful coincidences I have two of the Simpson family who lived in Hulme, and ran a dairy business spanning the century from 1850 to the 1940s.

They are typical of the work Mr Banks produced and all of them come with his trade card on the reverse allowing you to clock the addresses of all his studios with a handy reference number should you wish to reorder your picture.

Here they are the grand and not so grand, striking the classic pose and using the studio props to celebrate a moment in their life.

The identities of many are lost with time but a few have survived with some details written on the back

Moorcock Inn, 1882

But as much as I find these fascinating it is the public pictures which draw you into his work and for me this one from 1882 near where he set up his first studio.

It is of the ‘Moorcock Inn‘, Bills o’ Jacks, Greenfield and was taken during the jubilee of the Moorcock Murders, which had happened on April 2nd 1832 when a landlord and his gamekeeper son were violently murdered at a remote pub on the edge of the bleak moorland above Greenfield near Saddleworth.**

But that of course is another story for another time.

But ever mindful of its commercial possibilities Mr Banks was there to exploit that Victorian passion for a gruesome murder and no doubt hoped that the jubilee of that event would add to his professional and financial standing.

Next; a little bit more on his life and some of his early adventures.

Pictures; picture of the inside of the Ryland’s Library, circa 1900 and  Manchester Athletic Ground, 1893,  courtesy of Sally Dervan, Ms Simpson from the collection of Ann Love date unknown, and the ‘Moorcock Inn‘, Bills o’ Jacks, Greenfield, 1882, courtesy of Saddleworth Museum, http://www.saddleworthmuseum.co.uk/

*Sally Dervan

**The Bill o' Jacks Murders, Mysterious Britain & Ireland,
http://www.mysteriousbritain.co.uk/england/greater-manchester/folklore/the-bill-o-jacks-murders.html