Tuesday, 10 March 2026

Mrs Jane Redford, Manchester's second woman councillor


I have been staring at this picture for some time.

It was taken on October 7th 1911 at the opening of Chorltonville, and somewhere amongst the worthies is Mrs Jane Redford.

She had been born in 1849 so we are looking for a woman aged 62 which narrows the search a little.

She is there because she was one of our elected city councillors having been elected the year before and in the way that these things work she was about to contest the seat again in the November.

So perhaps this was not so much civic duty as another one of the many public engagements that fall to a politician about to fight an election.

But this is perhaps to do Mrs Jane Redford a disservice. She had been active for over 30 years serving on various public bodies including the Board of Henshaw’s Blind Asylum and as a Poor Law Guardian for the Chorlton Union where she had campaigned for the provision of trained nurses for workhouse hospitals. All too often the workhouse authorities had relied on old and illiterate inmates to tend the sick.

Important as these contributions were it is her role as a city councillor which is more significant because her election in 1910 made her just the second woman to be elected to the council.

What is in some ways more remarkable is that she was not a member of the main political parties and seems to have had little in the way of an organisation behind her.

She described herself as a Progressive Candidate which had less to do with radical politics and more to do with all fashioned rate payer concerns.

Her predecessor Harry Kemp had campaigned as a progressive on the platform of advancing “good government” which involved “exercising a rigorous protest against extravagance” and “preserving as far as possible the residential character” of Chorlton.

But, and here is the interesting thing it came with a progressive take on the need for “adequate Schools, Libraries, Open Spaces, Public Baths and everything which counts for the better health and morality of the people”

And Mrs Redford echoed this in her own election address of 1911 which highlighted her record on the Education, Libraries and Sanitary Committees along with a degree of success in checking “the building of houses on the Chorlton side [of Longford Park] in order that Chorlton people may have easy access to this new park.”


It is also there in her concerns over the Carnegie grant to build a new library which she felt should have been delivered “through the ordinary means of municipal enterprise.”

Now the normal rate payer position and certainly that of her fellow Chorlton councillors along with Alderman Fletcher Moss was “for acceptance of the gift,” which perhaps marks her out as more than just a guardian of careful council spending.

And in turn points back to her wider concerns for the welfare of people.


She argued strongly that the Education Committee should experiment with vocational training and in particular training girls for domestic service which “was of all the occupations for girls that which was not overcrowded and so [they would be able to] enter service at once and claim a proper wage, instead of commencing work and gaining a precarious livelihood by cleaning steps.”


Of course it is easy to be cynical about the role of vocational education and I for one spent years arguing the need for a well balanced curriculum for young people which didn’t just push them into manual work without offering them the opportunity of a broad and challenging set of subjects.

And this seems to have been what motivated her, because while advocating the pilot scheme to train young girls she was keen that the Education Committee work with the Post Office to widen the career prospects of telegraph boys, who “were only engaged for a certain number of years as messenger carriers and when they had to find work other than that of a purely causal character the task was not a very easy one” 

The plan was provide “two or three hours instruction each day, so that when their career as telegraph boys ceased they might be better equipped to secure other and perhaps more lucrative appointments.”


Now I think it might be fair to argue that she did not embrace a clear political position which might mark off from say the vision of the new Labour Party but likewise this was no conventional rate payer politician. She had expressed her growing concern at the lack of school provision both here in Chorlton and across the city and was very active in the movement for women’s health.

There is more to find out about Mrs Redford and also stories to tell of other women who campaigned in their trade unions and local Labour Party branches for the vote, improved social conditions and a better deal for ordinary people but they are for later.

Location; Chorlton-cum-Hardy, Manchetser

Pictures; The opening ceremony of Chorltonville, from the Lloyd collection, picture of Mrs Jane Redford from her election address by kind permission of Lawrence Beadle


References; Manchester Guardian, Harry Kemp and Jane Redford's election addresses.

The sandwich board ............ a century apart

Advertising the Palace Theatre, 1896
Once the man with a sandwich board was a common site on the streets of all our towns and cities.

And then sometime after the last world war they seemed to disappear.

I guess it was part of that more slick way of advertising which relied on TV to get the message over.

But they are back usually advertising fast food and can be seen following the main routes into the city or as in this case at St Mary’s Gate close to St Ann’s Square.

Some firms have gone that step forward and produced a sign which mimics the product.

And like their predecessors a century ago they walk the streets in all weathers, come rain, hail or sun.


Fast food, 2015

Back in 1896 Henry Tidmarsh recorded what he saw on the streets of Manchester.  In all he produced over 300 illustrations for the book Manchester Old and New.

It was published in 1894 by Cassell with a text by William Arthur Shaw and told the history of the city but the real value of the book was in Tidmarsh's vivid depictions of Manchester, with streets and buildings animated with people.

Location; Manchester




Pictures; At St Mary’s Gate, 2015, from the collection of Andrew Simpson, and by St Peter’s Church, 1896, Henry Tidmarsh, from Manchester Old and New, William Arthur Shaw, 1896

When Crown Woods went vinyl ………………..

I will always be grateful to Crown Woods.

Being 16 and turning up at Crown Woods, 1968
It took a raw sixteen-year-old newly arrived in the September of 1966 and offered up an exciting new world.

My previous five years had been spent at a secondary modern school in New Cross which was the end result for all of us who failed the eleven plus and were judged academically unsuited to the world of Shakespeare, John Donne, and Shelley.

To be fair many secondary moderns did punch above their weight, put students through O and A levels and suggested some of us could walk the hallowed corridors of universities.

That said I had an indifferent five years and was ready for Crown Woods.

And what a revelation it proved to be, from the teachers to the assumption that we would get involved in the drama, and musical productions, while encouraging us to cross the city in search of plays and films just because they were being performed.

crown woods at southwark, 1966

These jaunts included nights at the Old Vic, and Joan Littlewood’s theatre in Stratford as well as tiny amateur presentations of the classics in small smelly venues over the River in obscure parts of north London.

Musical night, 1966
All of which complimented the big inhouse drama productions from the Price of Coal, Crown Woods at Southwark, heaps of music nights and the small intimate evenings hosted by the English Department.

Over the years I have written about those experiences but until yesterday I wasn’t aware that Crown Woods had gone vinyl.*

It was in 1978 and consisted of selections from a series of concerts performed in 1977/78 school year, and the magic is the variety.

Crown Woods went vinyl, 1978
From the classics to items from popular musicals and jazz, and as befitted a comprehensive school the participants were drawn from all age groups.

The magic was in the variety, 1978
My only regret is that I wasn’t there although there will be people who remember those three magic nights and my have participated in one of the concerts. 

But by 1977, I was doing my bit for education in an inner-city Manchester school trying to emulate the spirt of Crown Woods.

That said I came across a copy on ebay for sale at £24.**

It is listed as "CROWN WOODS SCHOOL IN CONCERT   L.P.  EXCELLENT CONDITION. CATALOGUE NUMBER:  SPS130

This brilliant album by Crown Woods was released on a private pressing back in 1979. This copy is in great condition (as described above).  Along with some truly timeless music it has a great sleeve!  RARE !!"

Now I am intrigued that it was a private pressing, and wonder just how many were made.

I am tempted to make a bid but that would involve repairing our record deck, but that might just be the incentive I need.

A different sort of musical event, 1968
For now I will just reflect that Crown Woods did allow me to stage a folk concert which I guess at 17 was something given the artists who turned up.  

With that passage of time I have no idea how much they were paid.

Leaving me just to thank Chris Mentiply for permission to reproduce his copy of the LP and make a story.

And to conclude where I began that Crown Woods did really offer up the lot.

 Location; Crown Woods, Eltham

Pictures; That raw 16 year old, 1966 from the collection of Andrew Simpson, Musical nights at Crown Woods from the collection of Ann Davey 1966, crown woods at southwark, 1968, Margaret Copeland Gain, and Crown Woods, the vinyl from Chris Mentiply

*The class of 68, https://chorltonhistory.blogspot.com/search/label/The%20class%20of%20%2768

**Crown Woods in Concert, https://www.ebay.co.uk/itm/112343918748

Monday, 9 March 2026

Poverty…. gas masks ….. going to the flicks …. and a night in Chorlton ….. stories from Madeline Alberta Linford

Madeline Alberta Linford was by any measure a remarkable woman.

Madeline Alberta Linford, 1921
At just 22 in 1917 she was writing for the Manchester Guardian, at 27 she had reported on the famine and typhus outbreak in Poland followed by on-the-spot reporting from Austria, and Germany.

In the same year she was chosen to create to create a page "aimed at the intelligent woman", defined by C. P. Scott  as discussing issues such as "domestic economy, labour-saving, dress, household prices, and the care of children".*

And she remained the only woman journalist on the Manchester Guardian till 1944.

During the war she was also night picture editor, combining it with voluntary war work.

She “wrote a biography of Mary Wollstonecraft, published in 1924, and five novels: Broken Bridges (1923), The Roadside Fire (1924), A Home and Children (1926) Bread and Honey (1928) and Out of the Window (1930)”.* 

To all of this she also championed other women writers.

I first came across Ms Linford when Tony Goulding wrote about her life for the blog back in 2023.** 

It is a comprehensive account of her life and particularly her time in Chorlton on Claude Road and Wilbraham Road and is an excellent starting point.

My interest was reignited after a chance conversation with Cllr Mathew Bentham whose friend now lives in her old house in Chorltonville.

August 1917
As you do, I went looking for her articles in the Manchester Guardian. 

Alas her stories on Poland, Germany and Austria have yet to turn up, but there were plenty of articles spanning her years as a critic reviewing plays, and films as well as those reporting on contemporary issues.

Reading them for the first time over a century since they were produced, they offer up a fascinating insight into Britain during the early and middle decades of the last century.

And there were some surprises, not least that in 1917 both here and in Hollywood films were being made in colour.

Her review of Annabel’s Romance in the August of 1917 at the Deansgate Picture House begins with that simple observation that “A coloured film is still rare” **, while five years later she playfully remarked that the colour effects in A Study in Scarlet made “Faces as expressionless as though a sponge had wiped the life out of them”.****

Deansgate Picture House, 1928

But for me it is her articles on hospitals, shopping and the impact of the war which bring the 1920s and 30 bouncing into life.

December 1922
Like the piece on the Manchester Babies’ Hospital in Burnage Lane, written in 1922 which is both informative and written with style.

She visited in late December when “the hospital is in party dress [with] its Christmas decorations which are simple and consist of silvered twigs latticed across windows with robins perching on them, trails of pink almond blossom, and bright ballons tugging at their strings.”*****

But this is 1922, in that time before the NHS when poverty is the main reason why the fifty-bed hospital is full and why “the fifty cots could be filled over and over again”.

“All of them are suffering in some way or another from malnutrition.  They come from the most destitute homes in Manchester where their poor little bodies have been the victims of ignorance, poverty and in a few tragic cases, of actual neglect … where all the good things of life are short”.

Manchester Babies’ Hospital, 1962
“Children of six months weighing only six pounds; newborn babies whose weight barely reaches three pounds. 

The wards are full of them, lying with terrible apathy in their cots, their faces wizened and furrowed like those of the very aged, and their waxen fingers as helpless as broken ones. Anyone who since the war has visited the infant welfare centres of Berlin or Vienna will find the tragedies all over again in this Manchester hospital.”

And because rickets marches with poverty “the conservatory has been turned into a semi-open-air ward for rickets”.

Equally telling is the admission of just how much money is needed to maintain and advance the care. So, while “The Babies’ Hospital is full of plans for the future and a laundry is now being built and X-ray department is one of the great needs [with] it is hoped an extension to enable another twenty babies to have their shire of skill and kindness but for these schemes as well as the ordinary everyday running of the hospital money is badly needed”.

It is a powerful piece of reporting which comes with the style of an accomplished writer and so she begins by locating the hospital in a “big old house of the type of successful businessmen built for their families half a century ago. One can imagine it furnished in mahogany and rep with steel engravings of ‘Pilate’s Wife’s Dream hanging in the hall and camellias cherished in the conservatory”.

That same playful way of writing is evident in a series of articles she wrote in the run up to the first war time Christmas of 1939.

Set against the novelty and danger of going out in the blackout, and the surprise that the shops almost had a prewar feel about them the ever-present conflict is not far away and includes a delightful and humorous take on what the fashionable woman looks for in a bag to contain her gas mask.

July 1947
And along with all the serious and the not so serious comes a review of our own “Chorlton Repertory Theatre Group which has been an enlivening feature of Chorlton-cum-Hardy and the neighbouring suburbs”.

Written in in the summer of 1947 it reviews the group’s “choice of plays, performed in the Public Hall ranging from Shakespeare to Noel Coward and to farces which had caught the fancy of West End audiences” and focused on “The Letter” by W. Somerset Maugham.

It is a well balanced and I think affectionate report and offers up the names of some of the actors.  These include Harry Littlewood, Gloria Foster, Arthur Spreckley, the producer, and James Lovell who “designed and painted the excellent sets” which might be another story. 

One to read, 2024
But for now, I will just leave you with a suggestion to read a review by Quentin Outram of a selection of Ms Linford’s writing “M.A.L” The Journalism and Writing of Madeline Alberta Linford" edited by Michael Herbert and published in 2024

Pictures; Portrait of Madeline from the Guardian’s photograph of its 1921 editorial staff researched by Tony Goulding, Manchester Babies’ Hospital in Burnage Lane, m15731, 1962 courtesy of Manchester Libraries, Information and Archives, Manchester City Council, http://images.manchester.gov.uk/index.php?session=pass Deansgate Picture House, from Kinematograph Year Book, 1928

Further reading; Outram, Quentin, The Journalism and Writing of Madeline Alberta Linford, Society for the Study of Labour History January 3rd 2023, https://sslh.org.uk/2025/01/03/the-journalism-and-writing-of-madeline-alberta-linford/

Herbert Michael,[ed] “M.A.L” The Journalism and Writing of Madeline Alberta Linford, self-published through Lulu.com and available Society for the Study of Labour History, https://sslh.org.uk/

* Madeline Alberta Linford, https://en.wikipedia.org/wiki/Madeline_Linford

**Madeline Alberta Linford .... another story from Tony Goulding, https://chorltonhistory.blogspot.com/2023/12/madeline-alberta-linford-another-story.html

***A Coloured film at Deansgate Picture House, Manchester Guardian, August 21st, 1917

****A Study in Scarlet, Manchester Guardian, February 24th 1922

*****A Hospital of Cots, The Sick Babies of Manchester, Manchester Guardian, December 29th, 1922

******Chorlton Theatre Group, Manchester Guardian, July 30th, 1947


Stories behind pictures, the Hastings and Prince Edward Regiment marches through Belleville in 1945



I like this picture not least because it captures a confused moment when lots of things seem to be going on at the same time.

It is another one of those photographs of the Hastings and Prince Edward Regiment during the parade to mark its return from service in the European war.

The date is 1945 and we are in Belleville, Ontario.  The regiment had shipped out for Europe in the December of 1939, saw action in France in June 1940 and were part of the allied landings in Sicily and mainland Italy in 1943.  In the final months of the war they moved to North West Europe, and were part of the liberation of Holland.

Now I don’t have an exact date for the picture but judging by the leaves on the trees and the presence of so many top coats I guess it will be late autumn.

It is  the platform party with its mix of uniformed men, civic dignitaries and the large wooden figure of a Native American that you notice first.

But it is the little detail that draws you in. So there is the photographer running to get ahead of the troops, and the two young women looking in different directions at events unfolding in front of them.

And then there are the two boys with their bikes almost oblivious to what is going on around them, having their own private conversation while the crowds applaud, the officers salute and the soldiers march past.

It is the sort of picture I would have liked to have taken, and one where you can go off and ponder on each of the tiny scenes.

Did the photographer get the picture he wanted, and what exactly was it that caught the attention of the young woman applauding?  After all she is pretty much alone in looking back while most of the crowd are preoccupied with the line of troops parading past.

And what is it that those boys are talking about?

All the time the soldiers are marching past and some at least of the crowd may have been reflecting on that previous war which took Canadian servicemen to the Western Front.

None of this is of course historically in order.

Speculating without hard evidence is not how history should be told, but on the other hand it is exactly what makes a good picture.

So I shall leave it at that, on a day when the Prince Edward Hastings Regiment came home, and the people of Belleview could celebrate the first autumn of peace in six years.

Picture; Mike Dufresne, posted on the facebook site, Vintage Belleville, Trenton & Quinte Region
https://www.facebook.com/pages/Vintage-Belleville-Trenton-Quinte-Region/395830067158776

The class of ’68 part 8 ……. doing drama the big way*

Now if you went to Crown Woods in the 1960s and into the next decade, chances are you will have been part of the big block buster performances, involving the English, Music and Art departments.*

The Price of Coal, November 1968

And if that performance was The Price of Coal which was performed in November 1968, then you could add the History department to that list.

These were the inclusive productions which set out to include as many students as possible from all age ranges, skills and talents to show case the school and show just what a comprehensive school could achieve.

The Price of Coal, not only brought together the traditional departments but was researched by students doing history, and told the story of the impact of coal mining in the late 18th and 19th century.

It was performed in the same year that Newcastle Playhouse’s production of "Close the Coalhouse Door" which was written by Alan Plater, based on his friend and mentor Sid Chaplin's mining stories, and with music by Alex Glasgow – all three of them born in the County Durham mining area.

I should remember The Price of Coal, and Peter Grimes, because I entered the school aged 16 in the September of 1966.

Peter Grimes, March, 1968
But I did perform in two others which were All that life can afford and Crown Woods at southwark.

These productions were were spoken of with a mixture of pride, but also a nonchalance, based on that confidence that this is what a comprehensive school can do.

I have no doubt that the neighbouring schools of Eltham Green and Kidbrook did the same, but Crown Woods was my school.

And for someone who came from a small all boys secondary modern, on the borders of Brockley and New Cross, Crown Woods was something very different, very exciting and ultimately very rewarding.  

Not only for his academic standing but also because it was a co-educational school and for a lad from a single sex institution that was something else.

But that is for another story, leaving me just to thank Margaret Copeland Gain, who sent over the two covers from the productions of The Price of Coal and Peter Grimes.

crown woods at southwark

Location; Crown Woods, Eltham





Pictures, covers from the productions of The Price of Coal, crown woods at southwark,and Peter Grimes, 1968, courtesy of Margaret Copeland Gain

*The class of '68, https://chorltonhistory.blogspot.com/search/label/The%20class%20of%20%2768

**Close the Coal House Door, Alex Glasgow, https://www.youtube.com/watch?v=YGPSqE74F0Q


Sunday, 8 March 2026

When in Münster ….. always clock the street furniture

Today I have inducted into my Hall of Fame collection of all things street furniture this slightly worn but fine example of a round metal access cover.

A bit of essential Münster, 2026 
What it leads to I have no idea but the inscription records “Stadt Munster 1200 Jahre 1993 Tiefbauamt Budens”, which translates, “City of Munster 1200 Years 1993 Civil Engineering Office Budens”.

And that  is enough for me.

My Wikipedia tells me that Münster is an "independent city in North Rhine-Westphalia, Germany. 

It is in the northern part of the state and the historic capital of the Westphalia region” 

Its attractions include, “St. Paul's Cathedral, built in the 13th century in a mixture of late Romanesque and early Gothic styles. 

The Prinzipalmarkt, the main shopping street in the city centre with the Gothic city hall dating from 14th century in which the Peace of Westphalia treaty which put an end to the Thirty Years' War was signed in 1648.  

St Lambert's Church (1375), with three cages hanging from its tower above the clock face. In 1535 these cages were used to display the corpses of Jan van Leiden and other leaders of the Münster Rebellion, who promoted polygamy and renunciation of all property.”*

Along with palaces, a fortress, botanical gardens and much more.

St Lambert's Church, Münster, 2026

To this can be added our street cover which like all such things is a reminder of the onward march of all things municipal, and more specifically the provision of a heap of services funded locally by elected authorities all designed to advance the health, protection and well being of residents be it Münster, Manchester or down town Madrid.

And in case you missed it
And which include everything from sanitation, drinking water, power supplies, parks and schools.

So, hats off to the City of Munster, and thank you to my touring chums who sent over the images.

Location; Münster



Pictures; Münster street cover and St Lambert’s Church, 2026 

* Münster, https://en.wikipedia.org/wiki/M%C3%BCnster