Sunday, 19 January 2025

As others saw us, Eltham in 1831

Now whenever I want to get a sense of somewhere in England in the 19th century I turn to Samuel Lewis’s Topographical dictionaries.

Eltham Hill, from an engraving, 1778
First published in 1831 it  provided a description of all English localities as they existed at the time of first publication.

It showed exactly where a particular civil parish was located in relation to the nearest town or towns, the barony, county, and province in which it was situated, its principal landowners, and the diocese in which it was situated.

It also and this was new, named the Catholic district in which the parish was located along with  the names of corresponding Catholic parishes.

There were six subsequent editions, the last of which (1848-9) was in four volumes and an atlas.

“The village [of Eltham] is irregularly built, but contains many handsome houses, and the environs abound with noble mansions and elegant seats; Shooter’s hill so name from its having been anciently used for the practise of archery, and on which a singular triangular tower has been erected, by his lady, to the memory of Sir William Daines, Bart., is celebrated for the beauty of its situation and the extent and variety of its prospects; on its summit has been erected one of the telegraphs communicating between London and Dover.


The parish is within the jurisdiction of the court of requests held weekly at Greenwich, under an act passed in the 47th of George III [1808] for the recovery of debts not exceeding £5.

The living is a discharged vicarage, in the archdeaconry and diocese of Rochester, rated in the books at £3.2.6., endowed with £400 royal bounty, and in the patronage of Sir Gregory Page Turner, Bart.

The church is dedicated to St John the Baptist, is a plain edifice, with a spire.

On the summit of a hill south by east from the town, are the remains of a Roman camp.

Dr William Sherard the celebrated botanist resided here in the early 18th and cultivated a botanical garden.”*

And for those who want to read more the volumes are available on line

*A Topographical Dictionary of England, Samuel Lewis, Vol 2 1831

Picture; A view near Eltham in Kent, printed in London by R.Sayer & J.Bennett, December 1778, courtesy of Jean Gammons

A history of Chorlton in just 20 objects number 20, the electric supply box circa 1920

When Joe Scott built his own house on Beech Road he included electricity from the outset and this is the main supply box complete with the initials of the Manchester Corporation Electricity Works.

From memory it remained in use until the 1980s.  Those in Chorlton whose houses predated electricity could take part in "the Assisted-Wiring and Prepayment-Wiring schemes, whereby consumers may have their houses wired at a small or without any initial payment.”  

Added to this there were “hiring schemes for motors, cookers, wash-boilers, and water-heaters. Hire-purchase schemes for nearly all appliances (except lighting fittings) costing £2 and over.”*


Location; Chorlton



Picture; from the collection of Andrew Simpson

*Manchester Corporation 1935

And the lights go back on in Manchester ………. August 17th, 1945*

The caption in the Manchester Guardian on that day in the August of 1945 simply reported “’Manchester Town Hall flood lit for V.J. Day’ A firework has just been sent up from the great crowd in Albert Square.”


Now for those who don’t know V.J. Day’ signalled the end of the war against Japan and followed on a few months after the defeat of Nazi Germany and the close of the European war.

Of course, to be strictly accurate the lights had gone back on ending the blackout on April 30th.* 

But as the Manchester Guardian reported elsewhere in that edition “The floodlit spectacle of London is naturally much grander this time than on V.E. nights”, which I suspect reflected the greater time to organise an event.

Victory in Europe Day had been almost a spontaneous outburst of joy after six long and bitter years of war.

Sadly, there was much more to the original photograph, but the passage of 77 years and the poor storage left the picture much battered.



Location; Albert Square, Manchester

Picture; Victory High Lights In Manchester, The Manchester Guardian, August 17th, 1945 

Saturday, 18 January 2025

At the vicar's jubilee in Eltham with Peter Wakeman in the field by the vicarage in the September of 1833

“in many of the homes of Eltham ..... so impressive were the demonstrations that took place [to commemorate his fifty years in office in 1833] that the children and grandchildren of those who witnessed them find to this day, a congenial theme for conversational purposes.”*

I still find it quite amazing that an event that took place in the September of 1833 could still be remembered so vividly over seventy years after it happened.

Of course it may well be that this has been exaggerated in the retelling, but I have no doubt that R.R.C Gregory who commented on the impact of the celebrations to mark the jubilee of the Reverend John Kenward Shaw Brooke’s tenure as vicar were accurate.

Mr Gregory was an excellent historian whose meticulous account of the history of Eltham is well researched and not apt to linger on the might have been.

John Kenward Shaw Brooke was vicar of St John’s in Eltham from the age of 24 in 1783 till his death in 1840.

Now that was indeed some record and that combined with his reputation resulted in John Fry’s newly built row of cottages taking on the name of Jubilee Cottages, a name they retained till their demolition in 1957.

And so to the celebrations which was held on the field by the vicarage behind the High Street.  Much of what we know of the event comes from a hand bill and a ticket of invitation which had sat behind a framed engraving of the vicar for seventy-five years.

One side was printed “1833. Eltham Jubilee, in commemoration of the 50th year the Rev. J.K. Shaw Brooke has resided within the parish as Vicar, universally beloved and respected” and invited “Peter Wakemean ... to partake on Thursday , the 5th day of September, of a dinner provided by public subscription in token of the respect and regard entertained the Vicar of the Parish Of Eltham, 1833
N.B. You are quested to wear this card with the other side in front, in a conspicuous manner, to attend on the day in the Court Yard and to bring with you a knife and fork.”

And that was what Peter Wakeman did for according to Mr Gregory “around the card are the needle marks to shew that it had been carefully sewn upon some conspicuous part of his attire.”

Along with the meal there was to be a host of activities including Gingling Matches, Scrambling for Penny Pieces, Eating Rolls and Treacle, with Dipping for Marbles, Dipping for Oranges, Climbing the Pole and Jumping in Sacks as well as  Hurdle Stakes and Flogging the Ball out of the Hole.

All of which was pretty straight forward apart from Gingling Matches which I discovered was  “an old English game in which blindfolded players try to catch one player not blindfolded who keeps jingling a bell”

And then as now the day was finished off with “A grand display of Fireworks.”

I suppose it might seem very tame but this was rural England at play, and these were the ways we would have entertained ourselves in the early 19th century.

Nor is this all, for the observant of you will have picked up on the fact that Peter had to provide his own knife and fork and that the meal had been provided by a subscription.

But in other ways our event looks forward for each guest had to bring proof of identity and wear it as both a way in to the event and as a means of securing their continued presence.

Our card may not be a smart device but it was nevertheless the way you proved who you were on the that September day.

I rather think I will now go off and search for Mr Wakeman for here I feel is yet another story.

Pictures;  from The story of Royal Eltham, R.R.C. Gregory, 1909 and published on The story of Royal Eltham, by Roy Ayers, http://www.gregory.elthamhistory.org.uk/bookpages/i001.htm

*The Story of Royal Eltham, R.R.RC. Gregory 1909


A history of Chorlton in just 20 objects number 19, a Liverpool half penny dated 1791


Continuing the story of Chorlton in just a paragraph. They are in no particular order, and have been selected purely at random.

For the last two objects I tried to choose one of the oldest and newest which help tell the story.  This Liverpool half penny is not the oldest object to have come out of the past that belongs to a silver half groat of Charles found in the parish churchyard but at 1791 the half penny is beaten only by a contract dating back to 1767.  Half pennies like these were not strictly coinage but tokens which were only redeemable at the warehouse of the merchant who issued them.  But during the 17th and 18th century there was little low denomination coinage issued and so enterprising businessmen here in Manchester and in Liverpool and other Lancashire towns made their own.  Our coin was issued in 1791 in Liverpool as part of a very large series by Thomas Clarke who produced ten tons of these copper coins between 1791 and ‘94.   Clarke was a Liverpool merchant. The coin itself although common remains a beautiful piece of work.  The obverse side shows a ship under canvas with crossed laurel branches beneath and the inscription Liverpool Half penny.  The reverse bears the motto and arms of Liverpool. Ours had not fared so well and part of the upper mast and rigging from the ship had worn away.  I have no idea how it ended up in the parish churchyard or whether it had been used or was just a keepsake, but its Manchester equivalents may well have circulated in the township and there may even have been a reciprocal agreements between the merchants of Manchester and Liverpool.  Read the full story in Chorlton-cum-Hardy a new history due out later this year, http://chorltonhistory.blogspot.co.uk/search/label/A%20new%20book%20for%20Chorlton


Picture; detail from the report on the Archaeological dig conducted by Dr Angus Bateman during 1980-81

The envelope that told the story of the Manchester Blitz

Now of all the records, the photographs and stories of the Manchester Blitz this little envelope is as powerful a reminder of the destruction that was heaped on the city on the nights of December 1940.

It was sent to W Marsden of 11 St Mary’s Gate but was returned to the Vicarage in High Wycombe, and the various official stamps tell the story.

It had been sent on August 20 1941 but according to the stamp the building was “Gone No Address” and to confirm the fact there was a hand written message “War Damage of property.”

Now number 11 was entirely destroyed during the Manchester Blitz along with all of the buildings opposite on the south side from Deansgate up to Cross Street.

I have yet to track down William Marsden.  I know that in 1911 the address was listed as the Union Bank of Manchester but more than that will need more research.

That said even in wartime the Post Office was more than efficient returning the letter just two days.

All of which just leaves me to go back and look at the directories for 1940 to be exactly sure what business was being conducted just before the blitz and also to look for who was living at the Vicarage.

Location;; Manchester








Pictures; from the collection of David Harrop

Friday, 17 January 2025

Now …. just what is the story behind 100 Vera Lynn 78s?

The answer is several ……… and they all start with David Harrop who bought all 100 from an auction house in Heaton Mersey.


The records come from an estate in Oldham, and while I haven’t the full list, the ones I have seen include, “Goodnight Children Everywhere”, “More and More”, “Jealousy”, “There’s A New World Over the Skyline”, "Nearest Thing to Heaven”, and my favourite “C’est La Vie”.

None of which are her famous ones.  

That said I bet "We'll Meet Again", “The White Cliffs of Dover", "A Nightingale Sang in Berkeley Square" and "There'll Always Be an England", are there, and David will find them.

In the meantime, it’s just the six, all of which he photographed and sent over in an email.  I don’t have a date for any of them and despite finding versions of them on You Tube sung by Dame Vera, neither these or the site devoted to the lyrics of each song have offered up a year.

All that is except for Jealousy which she recorded in 1942.


Of course, someone will know, and will direct me to the place where the songs and their dates are listed, so that at present isn’t the story.

Instead it’s the sleeve covers which have caught my interest, because each of the six comes from a different record shop.

This I know because the names and addresses of the shops are printed on the sleeve cover.

And so I have been going on a Cook’s Tour across Manchester, from the Talkeries at 213 Deansgate, to The Elite Gramophone Depot, at 115 Manchester Road in Chorlton-cum-Hardy, and out to 653 Oldham Road in Newton Heath, where Manson’s claimed to be “The House of Music”.

There was also A Frank’s Ltd, the Gramophone Salon, with premises at 95-97 Deansgate and 46 Market Street, and E, Pennington Gramophone Specialist who sold his records from 1164-1168 Chester Road., Stretford.


Leaving me just Mazel Record Library on London Road which some will remember, and may well have visited to peruse the “40,000 records in stock”.

And when David has compiled the full list of stockists from the 100 78s, we will have a priceless record of shops from the 1940s into the following decade.

Added to which as some of them proudly display the date they were established we can begin to track the history of the gramophone shop across Manchester

All of which can be matched against the directories which contain the names of all such businesses from the late 19th century up to 1969.

What strikes me above all, are the descriptions, running from Gramophone Depot to the Gramophone Salon and the name the Talkeries, which hint at beginnings in the early 20th century and must even by the 1940s seemed outdated.

So that for now is the story …….. not Dame Vera, or the powerful songs, which evoke the war years, but the humble record shop of which there will be more stories to follow.

Location; Manchester

Pictures; sleeve notes from the records of Vera Lynn, 2020, from the collection of David Harrop