Sunday 5 May 2024

“Don’t put your daughter on the stage” …… seven years of the Chorlton Repertory Club ... part 1

The Chorlton Repertory Theatre Club is one of those half-remembered stories. 

Enjoying the theatre programme for January 15th-20th, 1951

It was where some of our well-known actors and comedians first strutted the boards including Avis Bunnage, Joan Sims, Harry Corbett and Ronnie Barker and over the years was at home in both the Lloyds Hotel and the former Conservative Cub

Cast of All The Year Round, April 7th, 1951

And here I am indebted to Ida Bradshaw who first told me of its existence, offered up a short history of the club and preserved fifteen theatre programmes from 1951-52.

She told me the “club was established in 1946and although it had no theatre of its own, offered up a weekly repertory performed by a professional company.  Initially it used a large room connected to the Lloyd’s Hotel and then moved to Chorlton Conservative Club.

It was the brainchild of two actors.  James Lovell and Arthur Spreckley.  The club played to full houses in Chorlton.  However, problems pre-empted by the sacking of Lovell began to mount and by 1951 the club was making a loss.  Membership was dissolved and blame was laid at the door of television and bad weather.  But Alan Bendle observed that ‘of the 1952 performances, perhaps only six of the 52 were successful’

A professional producer was employed in 1953 who immediately gave the company notice.

In 1954 the Chorlton Theatre Club became home to Piccola Theatre Company, which brought to Manchester  a group of young actors, designers and directors, many of whom were to leave their mark on the world of theatre.

For two seasons productions included The Women Have their way [ Frank Dunlop] and Maria Marten in the Red Barn [Richard Negri] provided an early opportunity to assess the talents of individuals who were to become more familiar to Manchester audiences”.

Drama off stage, February, 1949
And there is much more.  

The Manchester Guardian carries 131 references to both theatre companies, and it makes for fascinating reading because amongst the reviews of performances, there is the starling announcement that the club committee had “terminated the contract of the manager producer …. Mr. James Lovell”.

And if that wasn’t enough of a dramatic turn worthy of its own drama productions, just a month later  “the management committee …. was yesterday voted out of office at a special general meeting it had called to secure a vote of confidence” to rebut a call by 283 members of mount an investigation of the said committee..**

A thank you, October 29th, 1951
Now I have to say it all sounds very exciting with “some seven hundred people attending the meeting at the Princess Ballroom, Chorlton-cum-Hardy”, the revelation of huge financial losses and the possibility that the “spring programme ‘would lead to insolvency in four to six weeks’”

All of which was compounded by accusations that committee was pursuing a vindicative policy.

And with tensions mounting the Committee declared “that there was another booking of the hall and the members had to clear the furniture before leaving” , a challenge met by shouts of no confidence in the committee, a demand for a vote to replace it with a new one.

All of which I didn’t know when I began leafing through the 14 programmes, looking for references to local companies who provided props, smiling at the problems of fuel shortages and impressed by the planned  theatre improvements.

Introducing a viper, July 16, 1951

And along with various Christmas socials and fund raising activities there was the raffle for a “Beautiful Television, which may just have been a viper introduced by the club with its promise of varied entertainment in front of the fire with no recourse to a trip out on wet cold night.

A play a week, October 29th, 1951
There is so much more, but sadly I fear the Club has all but moved  out of living memory.

But if the grownups are now in short supply there may be a few of their children who went along to performances of “Christmas in the Market Place” which promised to be “A most delightful and happy Yuletide play for young and old” which were to run from Boxing Day 1952 through to January 3rd 1953.

So there is much still to do.  

Starting with the stalwart cast listed in each of the programmes, looking through all 131 references in the Manchester Guardian along with more from other Manchester papers, and finally tracking down a scrap book and perhaps the records of the club.

And as a start I know that Jean Parry the star of  All The Year Round in 1951 came from Salford was born in 1925 and died in 2005, and I have three pictures of her cast member Jean Ryder from 19159.

It's a start.

Theatre Comfort, October 29th, 1951

Location Chorlton

Pictures; selection of theatre programmes of the Chorlton Repertory Club, 1952- 1953, from the Ida Bradshaw Archive and extracts from the Manchester Guardian, courtesy of Manchester Libraries, Information and Archives, Manchester City Council, http://images.manchester.gov.uk/index.php?session=pass

*Chorlton Repertory Dispute, Manchester Guardian, February 8th, 1949

**New Repertory Committee A Chorlton Vote, Manchester Guardian March 1949

2 comments:

  1. I see the Crosdale's donated the furniture but from the antique shop rather than the theatre props shop. I keep seeing snippets about what they did which is quite interesting for the family now to see. What a fascinating article. Thanks.

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  2. Fabulous to read.

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