Now here is a double presentation of wireless at its best.
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| Gassed, 1919 |
It starts with National Remembrance and the 1924 Empire Exhibition Artworks, Who Did We Think We Were?
"75 years after the Festival of Britain offered a tonic to a Blitz-hit nation, Neil MacGregor, former director of the British Museum, returns to Radio 4 with a three-part series, examining how celebrations of British identity and togetherness over the past century or so can help us better understand and define who we are now.
'The question of who we are, of national identity, of the Union Jack itself, is now the subject of angry political debate,' Neil says. 'In these three programmes I want to take a step back – to look at six moments over the last hundred years when, as a country, we came together to assert a national purpose, to celebrate and to explore who we thought we were, and to consider our place in the world.'
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| MATCH MAN, 1924 |
In this first programme, Neil looks at the aftermath of World War One.
After conflict in which nearly a million servicemen of the British Empire were killed, how should a nation honour that huge human sacrifice?
The immediate answer was to create a National Hall of Remembrance, lined with newly-commissioned memorial art - art that shocked its first viewers.
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| SHARP'S,1924 |
Across two years, the Exhibition attracted 27 million visits - an astonishing number at the time. So what did it say about us?
What drew people in such numbers? And what might we conclude from it today?
Producer Katy Hickman"*
And is followed by Art That Conquered the World, Artworks, Ophelia.
"John Everett Millais's Ophelia is an art world celebrity. It's a star of Tate Britain, attracted hundreds of thousands of visitors to a recent exhibition in Shanghai and floats serenely across the internet, racking up huge numbers of likes and memes. But how and why did Ophelia hit the big time?
In this series, art historian Dr James Fox traces the twists of fate and happy accidents that pushed a handful of artworks to the forefront of global pop culture. Painted in 1851, Ophelia's fame is a story of fashion and feminism. And, as James discovers, the unlikely combination of Shakespeare, Ken Russell, Elizabeth Siddal, Andrew Lloyd Webber, Taylor Swift and the most famous bath-tub in the history of art.In conversation with James are the art historian Dr Rebecca Marks, tattooist Jessica Stratton, the actress Judith Paris and Lord Lloyd Webber.
Produced by TBI Media, Producer – Julia Johnson, Exec Producer – Jonathon Mayo, Junior Producer – Jamie Adam, Sound Design - Tom Burchell, Production Manager – Sera Baker"
Location, BBC Radio 4
Pictures; Gassed, John Singer Sargent, 1919, Imperial War Museum, PETROLEUM, & MATCH MAN, SHARP'S, BRITISH EMPIRE EXHIBITION 1924-5, unnumbered, SHARP, PRINTED IN ENGLAND BY RAPHAEL TUCK & SONS LTD. Oilfacsim but not so trade-named, comes with three slightly different backs see Perkins & Tonkin. Sold as single cards available at Exhibition, six images by CHARLES E. FLOWER, Tuck DB https://www.tuckdbpostcards.org/ Ophelia, John Everett Millais, Tate Britain, room 14, Accession number, N01506
*National Remembrance and the 1924 Empire Exhibition, ArtworksWho Did We Think We Were? BBC Radio 4, https://www.bbc.co.uk/programmes/m002yl1f
**Art That Conquered the World, Artworks, Ophelia, BBC Radio 4, https://www.bbc.co.uk/sounds/play/m002yxt4
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