Wednesday, 7 October 2026

Searching the picture ….. London Road 1895

This is a photograph of London Road where it joins Store Street and we are in 1895.

London Road, 1895

There is nothing very remarkable about the picture and might well be described as eight people, two posters  and one antique shop.

But there is of course more and it is the more that has drawn me in.

Above the brick pillar is the approach to London Road Railway Station and that antique shop is still there.  I remember it as a tobacconist and also as a betting shop and is now empty and boarded up.

London Road, 2019
Just whether it will ever see better days again is debatable.

It is after all on that very busy stretch of London Road which most pedestrians shun and is given over to speeding traffic and passing trams.

All of which means it’s footfall is limited.

But not so back in 1895 when an H Entwhistle captured that group of four boys and four men staring into the camera in front of Mr. William Butterworth Wharton’s shop. He described himself as a “dealer in works of art”, and I can track his presence there from 1888 to 1911.

Earlier he is listed during the late 1870s and early 1880s on Half Street by the Cathedral and was living at Oak Bank Cheetham Hill Road.  Now that begs the question of whether the move to London Road was a step up or a slide down.

He died in 1915 leaving the sum of £1150.

Sadly, so far there is little of him in the official records.  He is missing from the census returns but I know  he married in 1880, that his wife Maria died in 1912 and he had at least two sons. They along with his wife are buried in the same plot in Manchester General Cemetery.

And as they say …. Watch this spot because a Sarah Ellen Makin, a Joseph Shevlin and a Betty Mckeown share the plot.  These last three may have no family connection with the Wharton family but it will be fun to explore the chances that they were.

Our man, 1895
At which point I have to confess our dealer in art was not how I was drawn into the picture, that prize goes to one of the eight staring back at me.  He is the one with the hat and by chance his face is the one most clearly visible.

He leans against the poster stand looking back at the camera with what could be a mix of curiosity, or disdain challenging the photographer to  discover what he is thinking.  

And what ever he is thinking I am convinced that he will never offer up any details of his life or his secrets.  

By contrast the others are a blank canvas and could be any one of the thousands of passers by confronted with the new technology of photograpy.

To their right are two posters advertising an event at Bell Vue featuring the Storming of Port Arthur during the short Russo Japanese War of the year before.

The caption on the picture refers to the “crack in the abutment” which 130 years later is still there.

Leaving me just to ponder on what the man on the left has in that basket and just what the neatly dressed  boy with cap and posh looking overcoat was doing on London Road .


But I doubt we will ever know, as for what our man in the hat was thinking .... that is just utter conjecture which has no place amongst the facts other than as a piece of tosh.

Location; London Road, London Road, 1895, H Entwhistle m63006, courtesy of Manchester Libraries, Information and Archives, Manchester City Council, http://images.manchester.gov.uk/index.php?session=pass and Mr. Wharton’s shop, 2019, courtesy of Google Maps

Outside Beech Road Police Station ........ revealing a little of the life of PC Frederick George Ross

This is Police Constable Frederick George Ross standing with his colleagues outside the police station on Beech Road.

Now I can’t be exactly sure when the picture was taken but one source has suggested 1925.*

And that would have made PC Ross forty-seven years old.

He had joined the city force in 1904 and by  1910 was living on Priory Avenue before moving to Whalley Avenue.

Of the named officers he is the one we know most about and that is as much a bit of luck as it is research.

After all if he had not been recognised and his name added to the picture we would not have been able to discover his story.

But with a name a search of the police employment records and the census returns not only located him but provided me with the name of his wife and daughter and his own place of birth.

PC Ross had married Rebecca Jane Lawson in 1909 in Bolton and their daughter Nora was born the following year.

Like all such stories the detail is even more fascinating for while Nora had been born in Bolton she was registered at the Chorlton office and baptised at St Clements in the May of 1910 which is how we know the family were living at Priory Avenue.

Almost a year later they were on Whalley Avenue and a search of the directories will reveal when they moved from that address.

But that is not quite the end of the story because in the course of doing the research I came across a relative who had posted a series of pictures, one of Frederick and Rebecca and two showing PC Ross during police inspections one of which is dated to 1921.

And according to this source Mrs Ross was in Ireland by 1925 where she died in 1949 followed by her husband fifteen years later.

In time there will be more but for now that is all but it is a lesson in how it is possible to discover a family story.

Nor is that all, because looking at the police records what is interesting is the number of officers who were born in Ireland and Scotland, a trend which goes back beyond 1904 when Chorlton voted to join the city.

Before that date we had been policed by the Lancashire Constabulary who were responsible for building the station in 1885.

Just six years later the officer in charge was a Sergeant Milne from Ireland assisted by two PCs from Scotland and a decade on with  Sergeant Milne there were officers from Ireland and Gloucestershire as well as Lancashire.

Location; Chorlton

Picture; PC Ross, 1875-1963 from Police officers outside Beech Road Police Station circa 1925 from the Lloyd Collection

Two for the price of one original photograph ......... St Margaret’s Church, Plumstead in the summer of 1905

Now this may seem rather indulgent to offer up two identical pictures of the same spot but of course there is a tad difference and that comes from the success of the artist in colouring the original image.

I have no idea if both were issued at the same time or the coloured version was a second bite at the market, issued a little later when earlier sales were flagging.

But it is a nice example of the commercial drive of the company and other post card manufacturer’s who were prepared to reuse a photograph as many times as possible.

In the collection I have two of rural Chorlton-cum-Hardy which are identical except that one contains the seasonal message “A Merry Christmas and a Happy New Year”

Picture; St Margaret’s Church, 1905, from the set Woolwich Town & City, by Tuck and Sons, courtesy of Tuck DB, https://www.tuckdb.org/

Tuesday, 6 October 2026

When the historic picture postcards …. turn out to be street grids

Once along time ago you could follow a friend’s holiday adventures by the picture postcards they sent back.

Salamanca Firefighters, 2026
Later still the postcards became multiple photographs via a mobile, which were both instant and much cheaper.

For as we know sending cards from holiday resorts were fraught with possible mishaps, from spending too much on the stamps to the disappointment of arriving home a week before the cards arrived.

But not so with one of my friends who knowing I collect street furniture regularly sends pictures of trams, street grids and road signs as well as  public benches along with those impressive municipal pavement covers.

It has been a feature of his holidays for several years, and this year is no exception.

So, I have tracked his route south through Spain to Salamanca and Cordoba finishing at a folk festival on the Algarve in Portugal.

Many of these bits of street furniture include civic emblems, nod  to their purpose and even little reminders of the geography.

Salamanca Sanitation Services, 2026

And of course, along the way I have picked up the German for tram, the Spanish for firefighter and the Portuguese for letter. *

Ayuntamiento de Cordoba,  Alumbrado Publico, 2026 
And if that isn’t enough many of them are little examples of public works of art.

My favourites are the worn but still legible cover of Salamanca Firefighters, followed by that of the Salamanca Sanitation Services and the Cordoba City Council’s cover for Public Lighting.

Leaving just that blue the Portuguese letter box which is a timely reminder that not everything letters and telephones is painted red.

Location; Salamanca, Cordoba, the Algarve

PIctures; Street Furnitue, 2026, from a travelling pal

* Straßenbahn ...tram, Bomberos ....Fireghters, Saneamiento ... Santitaion Services, Ayuntamiento de Cordoba.... Cordoba City Council,    Alumbrado Publico .... Public Lighting, Cartas .... letters


Blue post box, 2026

Down on Maple Avenue with more rare pictures

This is another of those wonderful images from Ray Jones whose family owned one of the houses on Maple Avenue for over a century, spanning the old Queen’s Jubilee, two world wars, and much else.

It was taken by Ray’s grandfather and dates from the 1920s.
That said I bet there will be someone out there who is an expert on such vehicles and can offer up the make, the date and more than a bit of its history.

In the same way there will be someone else who will follow up on the number plate and go to those sites which explain how the letters and numbers can date the car.

But for now I shall just thank Ray and make that obvious remark that there would have been very little other traffic parked up on that sunny day on Maple Avenue.

All of which is in direct contrast to today and leads me to wonder just when the transition happened.

Look at photographs from the 1960s and even early 70's and many roads will still be relatively empty and that I think highlights the need for more pictures from those middling decades.

The collection is full of images from the late 19th and early 20th centuries, when commercial photographers plied their trade selling to local residents as well as the picture postcard companies.

But from the 1960s as the trade in picture postcards went into decline the numbers of photographs has also diminished.

I know they will be out there, mostly as snaps which now sit in family albums or at the bottom of the sock cupboard and bringing them out into the light would advance our knowledge of the area.

So that’s the appeal done, leaving me just to thank Ray and say I know exactly which house on Maple Avenue this is, but until I approach the owners it seems unfair to say more.

Instead I will close with a comment from Ray who thinks "the the motor is a BSA cyclecar but I'm not certain."

Location; Maple Avenue, Chorlton-cum-Hardy

Picture, a car, two kids, and auntie on Maple Avenue, circa 1920s, © Ray Jones

Sweet Thames Flow Softly*


The Thames Flows Down is another of those wonderful children's books written in the 1950s.

It was the companion to  A Valley Grows Up by Edward Osmond.*

The Thames Flows Down was  written by Laurie Osmond and  illustrated by Edmund and tells  the story of the River Thames from its small beginnings to the point when it flowed into the sea.

It is a  mix of history and geography, with the added bonus that it was written in the 1950s and perfectly captures the river and London at a point in time now long gone.

This is my river, that working waterway, when there were still warehouses on the south side facing the Tower of London, and when the docks still provided serious work for many families.

As a child I remember it all and even in the 1960s have memories of barges gently banging together on the tide beside the Cutty Sark pub on long summer evenings.

All of which may seem romantic tosh but it is about the Thames and its impact on those who lived along its banks and relied on it for work long before it became a mere backdrop for luxury flats and flash office blocks.

So I will close with the final words taken from Laurie’s book which pretty much sums up the flow of that river beside which I was born at Lambeth on the south side of the river  which was home for my  first 19 years.

“Back in the quiet reaches of the Upper Valley the Thames still pours steadily seaward through tranquil meadows, where owls are screeching and night jars churr in the trees.  Otters hunt and play, vixen steals for her cubs.


Over the pulsing heart of London an orange glow stains the sky.  The dark, running water is bright with reflections from the City’s embankments, yellow lamplight from bridges pierces the blackness of the tide-race round the piers.  

A police patrol boat slides silently upstream.  A light over Westminster tells that Parliament is still sitting, and along the wharves cranes still work for ships that must make the punctual tides.”




Back in the 1980s I wrote to Mrs Osmond seeking permission to use some of the illustrations from the books in history lessons and she kindly granted permission.

Sadly both books are out of print but maybe one day the O.U.P., will republish both books.  I hope so.

Pictures; from The Thames Flows Down, Laurie Osmond

The Thames Flows Down, Laurie Osmond, O.U.P., 1957

*Sweet Thames Flow Softly* by Ewan Mccoll, https://www.youtube.com/watch?v=zmn5pOxb2iM

**A Valley Grows Up http://chorltonhistory.blogspot.co.uk/search/label/A%20Valley%20Grows%20Up

Pictures; from The Thames Flows Down, Laurie Osmond

The drab street ......the museum ...... and ....... the mural

 There are some parts of the city that even a bright sunlit day in the middle of a perfect summer  will always be drab and uninviting.

And so it is with Grosvenor Street which cuts its way across Upper Brook Street to end at Oxford Road.

There is of course the former Grosvenor Picture Palace, along with The Deaf and Dumb Institute Building, that pub with an interesting alternative past, and the former Oddfellows Hall.

As for the rest, the buildings are mix of 19th and 20th century properties, some of which hide themselves under rather ugly signage, and a carpark of sorts.


When Andy took a stroll down, there wasn’t even a ray of bright sunlight, instead on a grey wet day in February the place did little to sell itself.

But there are always things to clock and wonder at, and so it was with the Oddfellows Hall, whose history can be discovered on line at Historic England.*

And also, at the University of Manchester’s site, Manchester 1824, “The ‘Oddie’ history of MECD’s Oddfellows Hall”.**

Now I have no intention of lifting the information from these two sites, so you will have to follow the links, but together they reminded me that once a long time ago the Oddfellows building was the temporary home of the Manchester Museum of Science and Technology, and I remember walking around the machines on a few occasions in the 1970s.

At the time what fascinated me more was the mural outside on the gable wall, which lingered on after the museum moved out in 1983, beginning to fade and peel, until it was finally painted over.


Back then I never took a picture and I have fallen back on one from Manchester University 1825,  which I have asked permission to use. 

Even back then in the 1970s Grosvenor Street was drab but,  that bright and happy murial always cheered me up.


Location; Manchester

Pictures; Grosvenor Street, 2021, from the collection of Andy Robertson, and that mural, taken from The ‘Oddie’ history of MECD’s Oddfellows Hall

*Historic England, https://historicengland.org.uk/listing/the-list/list-entry/1200840

**The ‘Oddie’ history of MECD’s Oddfellows Hall,  https://www.mub.eps.manchester.ac.uk/science-engineering/2020/03/04/the-oddie-history-of-mecds-oddfellows-hall/