A postcard and a memory of our declining rural past

This remains one of my favourite pictures of the old church.

 It was taken sometime before September 1904 but could have been at any time after 1837 when the two side aisles were added.

 The cottage to the right was there by the beginning of the 19th century if not before while the roof of Higginbotham’s farm house behind it was at least fifty years older.

And it was a view that would soon be lost forever. Within six years the old Bowling Green Hotel just out of sight on the right would be demolished and replaced by a new pub which would obscure our view of the church entirely.

 It is still a rural scene and bits of farm equipment are littered around the picture and reminds me that here we were on the edge of the village which were cultivated as meadowland.

But for me what adds to the picture and makes it unique is the message on the back. In an age when a postcard sent in the morning could arrive in the afternoon postal messages remained the quickest and cheapest easy of communicating with friends and relatives.

In this case the offer by Mrs Wood of Manchester Road to help at the harvest festival decorations at the old Church on Saturday was “gladly” accepted. It had been sent on the Wednesday afternoon of September the 21st and would have fallen through the door of Manchester Road for teatime or certainly by the following morning.

Harvest festivals were still a real part of the life of our community at the beginning of the 20th century and ones which celebrated the end of a successful year on the land.

 There may have been fewer people who relied on farming in the township but there were still enough for a bad harvest to spell hardship and perhaps even ruin.

Mrs Wood’s husband had been born into a farming family and his father had farmed at Red Gates till his early death in 1902 aged just 52. Red Gates did not long survive his death and in the next few decades more of the farms which dated back to before the 19th century closed.
I am indebted to Carolyn Willits who lent me the post card and gave me permission to use it.

Lcation; Chorlton

Picture; the old Church, Chorlton-cum-Hardy, 1904,  from the collection of Carolyn Willits

Lost and forgotten streets of Manchester nu 92 ...... Cannon Court

Cannon Court has tidied its act up  a lot since I first stumbled across it in 1969, soon after I arrived in Manchester.

1967

I remember it as one of those places which  was a bit shabby, rather neglected, and not much of an advert for the city.

Of course now I rather wish it was still like that given than many of the other interesting alleys, courts and narrow streets have been swept away.

The last time I was down there it was clean, tidy and less interesting than I remembered it.

But perhaps I am being a little picky and unreasonable given that visitors to the Cathedral, might just not want to pick their way past old boxes, overflowing dustbins and crates of empty bottles.

So I shall leave it you to judge, using an image of Cannon Court, pretty much as I left it in the 1960s, and today, all bright and pristine.

2017

Circa 1900

So far so good ........... and now for the correction, because I never clocked the name of the alley back in 1969, and when I revisited it this week one map called it Hanging Ditch, so I followed suit.

Only to be corrected by two people who pointed out that historically this was Cannon Court, and there on my own copy of Goads Fire Insurance was indeed the name Cannon Court.
So thank you for the two who were more vigilant than I.


Location; Cannon Court

Pictures;  Cannon Court, 1967, "Courtesy of Manchester Archives+ Town Hall Photographers' Collection", https://www.flickr.com/photos/manchesterarchiveplus/albums/72157684413651581?fbclid=IwAR0t6qAJ0-XOmfUDDqk9DJlgkcNbMlxN38CZUlHeYY4Uc45EsSMmy9C1YCk and in 2017 from the collection of Andrew Simpson, and Hanging Ditch and Cannon Court, circa 1900, from Goads Fire Insurance map, courtesy of Digital Archives Association, http://digitalarchives.co.uk/

Celebrating who we are .... down at the Library

Community is a much-used word but at its best is about how we react with others, how we look out for everyone and a pleasure in recognising the contributions people make to where we live.

Two additions 

And here I am not thinking about the great and the good, but to use that not very helpful word …. the ordinary person.  

Not very helpful because it has a hint of dismissal but does describe most of us, who just get on with things and in the process make a difference.

It is an idea that has exercised the local artist Peter Topping who is in the process of painting portraits to honour our local people in Chorlton.* 

He tells me “that for the next month the library is hosting some of my work featuring Chorlton Champions. 

Through dedication, leadership and tireless effort, they have made a lasting and positive contribution to the social, cultural and civic life of Chorlton. 

Their commitment exemplifies the spirit of community and inspires others. The exhibition will be added to when more people are recognised for their achievements. Works of art by Chorlton Artists. @everyone".

The exhibition has grown over the last few weeks as new subjects have been added, and today he messaged me with, “I’m thinking of delving into the past for some of our 'Chorlton Champions' to create portraits for the Library.

Euton Christian

Here is the first one of Euton Christian”.

Mr. Christian was born in Jamaica, served in the RAF during the last World War, and was the first black person to be promoted to a managerial role in the Post Office, the first black magistrate, and the first to sit on a Crown Court bench. 

To this can be added his role as a founding member of the West Indian Sports and Social Club in Moss Side and Manchester Council for Community Relations in the 1960s.

Many will also remember him as a keen sportsman, a neighbour and a father.

He was according to one source “an inspirational man who achieved many extraordinary things. He and his story give just one example of why we should celebrate the men and women who travelled on the Windrush, and the many subsequent ships, who settled and made lives in Britain during the middle part of the twentieth century”.

And his place in the Chorlton community was recognised in 2024 when Chorlton Civic Society erected a blue plaque in his honour on his former house.

And long with Mr. Christian Peter has chosen Ida Bradshaw as his second painting.

Ida Bradshaw

She always styled herself the "unofficial archivist of St Clements Church" and she was my friend. 

Her passion for Chorlton's history was infectious and l welcomed her regular phone calls about some "new find" that she had uncovered from her trawl of the church archives.  More than that l often benefited from one of her discoveries which in turn found themselves into a blog story.

And Ida was many other things.

I still have her folders of art and craft work recording not only her own output but pictures of exhibitions and group activities.

All of which kept her busy and sometimes it was difficult to pin her down to meet up as she mixed church business, trips to Central Ref, and visits to parishioners along with Saturday mornings at some craft event.

Catherine Brownhill remembers, Catherine Brownhill "A truly wonderful lady Andrew. I was introduced to Ida through Chorlton Civic Society”. 

Four of the first

And along with our conversations on all things Chorlton history Peter’s painting is based on a photograph he took of Ida in St Clement’s Church which was reproduced in our book on the churches of Chorlton.

So as the exhibition at the Library grows you can catch  CHORLTON CHAMPIONS for the rest of this month.

P.S. nominations for candidates to be inducted into the Hall of Chorlton Champions are welcome via Peter Topping.

*Celebrating Chorlton ..... down at our library today, https://chorltonhistory.blogspot.com/2026/06/all-this-month-there-is-selection-of.html

  

A film star, a fish market and a bit of speedway, Britannia of Billingsgate … 1933

Now we can all have slow days, which is how I came to roam the database of old postcards hosted by Tuck DB.*

And having viewed their selection from Italy, I idly typed in film stars, and was rewarded with a rich collection from the 1930s.

Most I had never heard of and so on a whim I went for Kay Hammond, who was born in 1909 and made a series of films through the 1930s as well as appearing on the stage.  

She played  Elvira Condomine, in Blythe Spirit and acted in her last film in 1961, and featured in 24 films in her career of which 19 were made between 1933 and 1936, and of these the one that caught my eye was Britannia of Billingsgate.

If like me you are both a Londoner and someone who grew up in the 1950s and early 60s, Billingsgate Fish Market will be a special place.  It was located by the Thames, close to the Tower of London and the Monument and I passed it regularly on my way to the Tower.

Even at 10’o clock in the morning, long after the market had all but closed the smell of fish lingered in the air along with the odd remnants of discarded fish parts which had yet to be cleared away from gutters.

So I had no option but to look up Britannia of Billingsgate which was released in 1933, and as you do steal the sleave notes from the BFI’s introduction to the film.

“A star is born (or at least found) in a fish and chip shop, in this effervescent musical comedy that jaunts between the cloth caps of Billingsgate Fish Market and the top hats and heady glamour of the film world. Things have never looked so good for Billingsgate chippy owner Bessie Bolton (Violet Loraine) after she is presented with the opportunity of becoming the singing sensation of the silver screen - Shepherd's Bush style.

Violet Loraine had been a music hall star since the early 1900s, but was here returning to showbiz after a break of more than a decade. The film also features an early role for John Mills. The studio where Bessie gets her big break is the Shepherd's Bush Studios belonging to the production company, the Gaumont-British Picture Corporation. The cinema where Bessie's film is premiered is the Gaumont Palace in Hammersmith - now the concert venue the Hammersmith Apollo”.*

It is a mix of “glamour”, some iffy scenes of working class life, but is still a wonderful watch and is free to see on the BFI web site.

Location; London, 1933

Pictures; Kay Hammond, Violet Lorraine, Gordon Harker, and John Mills, marketed by Tuck and Son in the series A GAUMONT-BRITISH PICTURE, STAR, PLAYER or FILM (scenes from movie), cards numbered 150-199, courtesy of Tuck DB, https://tuckdbpostcards.org/ 

*Tuck DB, https://tuckdbpostcards.org/ 

**Britannia of Billingsgate, BFIPlayer, https://player.bfi.org.uk/free/film/watch-britannia-of-billingsgate-1933-online

Ours was a place dominated by working animals

Ours was a place  dominated by working animals.

For centuries the main draught animal had been the oxen and in some parts of the country their use continued well on till the end of the 19th century and the start of the twentieth.

But by the 1840s the horse had taken over in most areas.

The horse was a familiar sight here in the township.  As well as working the fields, they would have pulled the carts and wagons of the farmers and carriers as well as the coaches of the well to do.

Horses provided work for the blacksmith, and the farrier and indirectly for the wheelwright.  Then there were the men who worked with the horses.  Of these the ploughman and the carter earned more than most other farm workers.  The carter after all was assured a regular wage because horses needed to be looked after all the year round, unlike the farm labourer who could expect seasonal periods of unemployment.

But most farm workers came into some contact with horses at some point and on the smaller farms and market gardens, the job of caring and working with horses fell to the farmer or his son.

The Bailey family on the Row who farmed seven acres had just one horse which would have doubled for both ploughing and pulling the spring cart.  

This would have been the pattern here with so many of our market gardens operating with less than 10 acres of land.

On our bigger farms there were men who were employed specifically to deal with the horses.  James Higginbotham, farmer on the green employed a carter and at Dog House Farm just outside the township eight of the men who lived on this 380 acre farm were carters.

Here horses were worked in pairs and there might be two or three teams each with a carter and mate.  The most intensive period for a working horse were sowing wheat, or turnips, carting mangels and harvest time.

Many carters formed close bonds with their horses, a bond which was deepened by the long hours they spent together.  

A carter might start as early as five in the morning as the horses were prepared for work and last after the day had finished in the fields.

The horses had to be cleaned of the thick mud they had picked up and then fed, watered and groomed.

For this a carter might be paid just over £1 a week, although James Higginbotham was less generous.  During the mid 1840s he was paying his carters between 4s 6d [22p] and 6s [30p] a week.  But these wages reflected the fact that the men lived in and so received their food and lodging as part of their wages.

This supplement could make a difference of between 5s [25p] and 7s [35p] a week.   Even given this their wages seem much lower.

From THE STORY OF CHORLTON-CUM-HARDY, Andrew Simpson, http://chorltonhistory.blogspot.co.uk/2012/10/the-story-of-chorlton-cum-hardy-new.html

Pictures; from the collections of Allan Brown, Carolyn Willitts  and the Lloyd collection

Lost and forgotten streets of Salford ........... nu 25 a busy day on Chapel Street

I suppose it is pretty much the case that Chapel Street has always been a busy spot.

I don’t have a date but there maybe a clue in the Union flag fluttering from the building and the crowds which seem to suggest that something has either happened or about to.

Location; Salford






Picture; Chapel Street, date unknown, m77251, courtesy of Manchester Libraries, Information and Archives, Manchester City Council, http://images.manchester.gov.uk/index.php?session=pass

Another of those vanished scenes ........... the Thames and Tower Bridge

Now you will have to be the wrong side of 40 to be able to recall this scene.

The date on the card is 1936 but the scene with cargo ships discharging all manner of things from around the world was still pretty much the same two decades and bit later.

I remember crossing London Bridge as a youngster looking across to Tower Bridge with the wharves and cranes on the south side and the old fish market on the left.

Location; London

Picture; the River Thames and Tower Bridge, 1936 from the series London by Tuck & Sons, courtesy of Tuck DB, http://tuckdb.org/