Now, in a country which is known for style the classic Ronson Varaflame held its own against all that Italian design could throw at it.
It was introduced in 1957, and was one of the world’s first gas lighters, which was refilled by those distinctive blue torpedo tubes, which when empty ended up as a prop on my model railway.
I remember the lighter well, mainly because it looked so modern in a house still dominated by clunky heavy unfashionable objects from the late 1940s.
And today, holding one in my hand, it combines a robust solid body with that pioneering aerodynamic shape, and it knocked the socks off everything else that was around at the time.
It was introduced in 1957, and was one of the world’s first gas lighters, which was refilled by those distinctive blue torpedo tubes, which when empty ended up as a prop on my model railway.
I remember the lighter well, mainly because it looked so modern in a house still dominated by clunky heavy unfashionable objects from the late 1940s.
And today, holding one in my hand, it combines a robust solid body with that pioneering aerodynamic shape, and it knocked the socks off everything else that was around at the time.
Mother had one, which she cherished, but I rather think it has long been lost.
All of which made the discovery of Simone’s Varaflame a real find.
It was bought sometime in the early 1960s, in Cambridge, and travelled to Italy a decade later where it busied itself doing the business for sixty years, and has now made its way to Manchester.
Sadly, the Kodak Instamatic, 304, has not be joined it.
It was bought sometime in the early 1960s, in Cambridge, and travelled to Italy a decade later where it busied itself doing the business for sixty years, and has now made its way to Manchester.
Sadly, the Kodak Instamatic, 304, has not be joined it.
It first appeared in 1965 and was one of the more sophisticated instamatics, which along with others in the Kodak range introduced a generation to low-cost photography, and in turn had many imitators.
But as fun as it still looks, it is old smelly photography, relying on film, chemicals, and a dark room to recreate its magic.
And we have embraced the digital alternative. So if it made its way to Manchester, it would just sit in a corner of the study, gathering dust, but never likely to be put on the market for sale
Such are the relics of family history.
It was also bought in Cambridge in the 1960s, left with the family for Italy, but will stay in that country.
But as fun as it still looks, it is old smelly photography, relying on film, chemicals, and a dark room to recreate its magic.
And we have embraced the digital alternative. So if it made its way to Manchester, it would just sit in a corner of the study, gathering dust, but never likely to be put on the market for sale
Such are the relics of family history.
It was also bought in Cambridge in the 1960s, left with the family for Italy, but will stay in that country.
Location; Cambridge, Varese, Manchester
Pictures, Ronson Varaflame, 1957, and the Kodak Instamatic, 304, 1965, 2020, from the collection of Andrew Simpson
Pictures, Ronson Varaflame, 1957, and the Kodak Instamatic, 304, 1965, 2020, from the collection of Andrew Simpson
The Kodak Instamatic 100 started my interest in photography. Mum bought it for my 18th birthday, in 1968.
ReplyDeleteStrange when you think of what we regarded as 'cutting edge' technology Polaroid Land Cameras, the first acoustic TV remote controls (I kid you not it contained two tuned bars that when struck by a trigger system either advanced the channel or the other the volume) and of course the LED digital watch
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