Stories of Easter ………..

I have always been fascinated by how comics have told stories of events from the past.

And that in part is due to the fact that I grew up in the 1950s with the Eagle, and its companion comics, Girl, Swift and Robin.

Together they presented young people with highly professional comics, which were well drawn, didn’t talk down to their readers and supplied a mix of entertainment and knowledge.

So, whether it was Dan Dare or the Four Mary’s, the stories produced by some of the best artists and story tellers were of the highest quality.

And along with factual cut away diagrams, and the tales of adventures, there would be biographical accounts which portrayed  living people as well as those from the past.

Given that this was the 1950s, they tended to be white, European, and in the case of the Eagle very male.

From what I know of the editorial policy of all four comics, I suspect that if they were still being published today they would reflect multi cultural Britain in their story lines, and in the individuals they featured.

But in 1950 and into the 60s, society and the media were slow to recognise the changes which were already underway.  These included  the Windrush, and those who arrived from different parts of Europe, after the war often from “displaced persons camps”, and a little later those from the sub continent.

Added to which there was that shocking collective amnesia which pretty much “forgot” the vital role that women played in fighting the war, whether it was in the services, in the factories or on the land.

I would be well into my teens before I fully appreciated what mother and other women did in the services, and later in war time factories, none of which appeared in the stories of heroic soldiers, sailors and airmen.

I wish it were otherwise but in 1960 it wasn’t, and that leads me to "The Road of Courge, The Story of Jesus of Nazareth", which appeared in the Eagle on the back page from March 1960 for 56 episodes, ending over Easter Week in 1961. 

It was drawn by Frank Hampson and it fitted well into the ethos of a comic which was the creation of the Rev Marcus Morris.

Not that I was particularly religious back then  and nor am I now.  But what I like about the comic strip is both its clear story line and above all the art work which at times has a feel of the cinema.

There will be those who criticise the portrayal of Jesus as heavily European which I would agree, and  perhaps sixty years on, if he were alive Mr. Hampson would draw him differently.

And that is about it.

Location, Easter

Pictures; from The Road of Courage, 1961, Frank Hampson