Now like many people much of what I know about art and literature has come about by a mix of accident and curiosity.
And so it is with the painting of Adele Bloch Bauer, painted by Gustav Klimt in 1907.
"Adele Bloch-Bauer was a wealthy society woman, hostess of a renowned Viennese salon, art patron, and philanthropist. Her famous portraits by Klimt are historical witnesses to the significance of Jewish patronage during the Golden Era of fin-de-siècle Vienna. Among the famous guests in her salon were composer Gustav Mahler, journalist Berta Zuckerkandl, author Stefan Zweig, and socialist Julius Tandler. She supported socialist causes."*
She died in 1925, and during the Nazi occupation of Austria, her family’s collection of art was stolen, by the German Government.
And in 2015 the story of the painting and the attempt by the niece of Adele Bloch-Bauer to have the art work returned to its rightful heirs was the subject of the film, Woman in Gold, which is where I come in, because having seen the film on a wet Sunday afternoon, I went looking for more.
Like all fictional accounts, the film toyed with the events and in particular underplayed the role of Hubertus Czernin the Austrian journalist and publisher who found the historical documents which allowed the family to the begin the process of reclaiming the collection.
But the film and two earlier documentaries highlighted the part played "by Jewish patrons in shaping Viennese modernism and …. the historical injustice in handling their restitution claims.”*
And led me to explore other such claims for restitution, as well as discovering the work of Gustav Klimt.
Not bad for a wet Sunday afternoon.
Never being one to lift other people’s research, the full account of Adele Bloch-Bauer, and the attempts by her niece, Maria Altmann, and the lawyer, E. Randol Schoenberg can be read by following the link.
Location, Austria, and California
Picture; Adele Bloch-Bauer, Gustav Klimt in 1907
* Adele Bloch-Bauer, The Shalvi/Hyman Encyclopedia of Jewish Women, https://jwa.org/encyclopedia/article/bloch-bauer-adele
Intrigued by this film and having seen the ‘Kiss’ in the Belvedere in Vienna, on our last trip to New York we were able to view the ‘Woman in Gold’. It’s not as big as I thought it would be but nevertheless beautiful. (We were not allowed to take photos) I guess the gold leaf came from Klimt’s fathers gold business?
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